I hope this is not too much too soon, but I'd love to hear from you folks what you think of a piece of mine based on African folk tunes, that I call Come Africa 2. (Yes, there is a Come Africa 1 as well.)
Here's another recent work of mine, a lighthearted contrast to the brooding fugue in E minor, this one is full of relentless energy and fun. Perhaps a little too relentless, I've been told. Pacing is one area I need to work on, in future works. :-D
Hello all! I've been working on this song the past couple days...and today I finally brought it to this state in which I am comfortable sharing it! I would love some feedback. To me, it personally feels like the most adventurous piece I have composed
I come tonight with another piece! This one is shorter, possibly more in-line with being a theme song for a show or game. I wanted to do something like a theme for a secret organization. Possibly secret agents or other mysterious persons. In the end,
I don't mean to flood the forum with my own work, but Kris specifically asked for the score to this one, so here it is. Plus midi playback, for your listening convenience, though it is already available under the Music section. Hope you enjoy listen
Hello all! Hope this week finds you well. Recently, I was inspired by the incredibly unique soundtrack of Marvel's Loki series. Throughout the soundtrack there are plenty of unique and wacky sounds, but the one sound that has stuck with me most was t
Good afternoon, fellow people of the forum! Today I bring a song I actually made over the past hour and a half. I have titled it "The Dark Lord Dances". In this I really tried to keep things going where normally I incorporate a slower section. While
For piano, drumkit, bongos, guitar, organ. Length here is five minutes, but in a performance venue the piece allows for improvised soloing and would be extended. Inspired by Ahmad Jamal.
Three cacophonous cheers for Kristofer for getting CF rolling again!
This is my latest. The subject - the Idea of an apparition - huanted me, steered me (compositionally), - maybe even frightened me Haha - from one moment to the next.
Ear rating warning: this piece is highly dissonant, and may cause your ears to bleed and your sensibilities to be wounded. Listen at your own peril! (Though fortunately, the ordeal only lasts for about 1 minute 32 seconds, so a visit to the hospital
Thanks for the lovely welcome. I think I was a member here before - I don't remember leaving, but in any case, it's nice to be back! I present to you my latest piece which I've just finished and I'd love to hear your thoughts and critiques.
I've posted this fugue in the old forum a long time ago. However, this time round I have a live recording played by Hanna Horokhova, so I thought to share it with y'all. Besides, I find myself often referring to this fugue in various discussions, so
(The topic title line doesn't allow room to name the piece... never mind).
Recently completed. Doesn’t represent much of a stylistic development for me as it reverts to symbolism, something from which I was hoping to move away.
I wrote this Piano Sonata some 7 years ago, and I recently decided to have it recorded. It is just something I've always wanted to get done, as I never felt the piece was truly finished until hearing it on a proper acoustic piano. Here is a
well, I've just completed a new string quartet. The opening movement was marked "dolente" before I even wrote a note, I think and the mood is reflective of the times we live in (as well as one or two personal things), though there is a more lively ce
