Thanks for the lovely welcome. I think I was a member here before - I don't remember leaving, but in any case, it's nice to be back! I present to you my latest piece which I've just finished and I'd love to hear your thoughts and critiques.
I've posted this fugue in the old forum a long time ago. However, this time round I have a live recording played by Hanna Horokhova, so I thought to share it with y'all. Besides, I find myself often referring to this fugue in various discussions, so
(The topic title line doesn't allow room to name the piece... never mind).
Recently completed. Doesn’t represent much of a stylistic development for me as it reverts to symbolism, something from which I was hoping to move away.
I wrote this Piano Sonata some 7 years ago, and I recently decided to have it recorded. It is just something I've always wanted to get done, as I never felt the piece was truly finished until hearing it on a proper acoustic piano. Here is a
well, I've just completed a new string quartet. The opening movement was marked "dolente" before I even wrote a note, I think and the mood is reflective of the times we live in (as well as one or two personal things), though there is a more lively ce
I'm sharing this experience to see if there's potential for electronic music sharing and dialogue. The following summarizes what I've learned and experimented with during the past year.
A music-sequencer is a digital electronic device that can record
Hey Gang. This is a piece I recorded some time back. It is for a small ensemble: voice, percussion, piano and keyboard. I don't usually have words in my music. (Discloser) Although a few words may reference a particular geographic area, the words he
Just a way of introducing myself. On the old forum I was known as Dane - my stage name for a long time - times that fade increasingly into the past so I'll use my "real name" here (which means having my user id changing if that's possible.
Hello everyone! Today I bring my project over the past couple days. A piece I have dubbed "Melodic Magic". I was trying to capture a mystic feeling, with a spooky edge for October. For this project I made it in FL Studio, using BBSCO Discover as well
A piece long since finished and recorded, but have at it if you don't like it and enjoy if you do. It broadly follows the strictures of fauxbourdon, a triadic form of medieval choral harmony where - very generally - the top and middle lines unison to
Hello all! To celebrate the official onset of autumn, I made this little video for one of my songs. It is greatly inspired by the musical pieces of the 1940s, especially jazz instrumentals. It's not perfect, but it was so much fun to do and put toget
I've never worked on a piece of music for as long as i've worked on this. I hope it shows, and I appreciate any and all feedback. The score in the video is still unedited, so apologies for any difficulty reading. I've been a member on the old forum f
Hey gang, I posted this at the tip end of the previous incarnation of this site. A few here may have heard it. It is in a Rondo form, loosely. There is a tinge of 'modern' I suppose, but in the end it succumbs to a variant of rocknroll :) just for fu
Barring experienced humans willing to put up with my stupid questions, this has helped me more than anything else. Almost all major instruments a composer is likely to be writing for, with video and audio detailing the
