I've been mentioning in another discussion that I went through a period during the pandemic, writing what I called postcards, usually pieces that fit on a half a sheet of paper, then posting scrolling videos on Facebook. During that time, I was teach
This piece is my attempt at making a thrilling battle score! I tried to keep momentum going as the battle mounts, and took the feedback I've been given here to keep some recurring references to motifs throughout, but with some variations! Overall I'm
Hi All: This my first posting. It's for Flute, Clarinet, Bassoon, Trumpet, French Horn, Tuba, Violin, Viola and Cello. Thank you for listening. Please let me know what you think.
Last year I wrote this elegy but was not satisfied with the slow strings from NotePerformer. Now I discovered that the slow strings from musescore 4 are much more beautiful. What do you think of this work (and the recording): https://youtu.be/H2VmrG
Mockup with score video becuse I can't attach files: https://www.youtube.com/watch?v=EOnzEUsb4EI (mockup uses an organ vst which is serviceable, but doesn't reflect the intended changing mood throughout the piece)
Hello! Today I come to the forum with something a bit different than my usual, more large scale entries. A solo piano piece. Somber, certainly not cheery. With a sense of longing. This was made in FL Studio with the (FREE) Spitfire Audio LABS Glass P
After having posted orchestral works in the year past, I thought perhaps a change-up to band music was appropriate to start the new. The piece is called Triplicity, and as you might expect it is in three movements: 1. Ragtime March, 2. Reflections, 3
Two minutes of piano in the style of an early period Bill Evans ballad. This is a composite of two takes.... the last six seconds are cut in from an alternate where I played the runs cleaner than the original. Thank you in advance for listening. --R
I'm putting together two pieces represeting the mood of the sun in the heat of summer and the moon at a similar time. This is the first one. Probably best described as symbolist / fairly tonal; through composed based on a couple of motifs that recur
I recently had two of my sonatas for flute and oboe recorded by a work-for-hire group called Supreme Tracks, so I thought I'd share them. There are a few flubbed notes, and some moments where you can hear them struggling, but for one rehearsal and a
This is a bit modern. Duration 6 minutes. I was thinking of it opening a suite of 3 pieces for mezzo / orchestra. I'm stuck on a slow movement at the mo - and this is a "style" I've been trying to break f