Greetings, everyone. I've hardly composed anything for months, but the other day I sat down with a cup of tea and wrote this little ragtime piece, which I've named for the beverage I was enjoying. Any thoughts or feedback would be welcome.
Another little ragtime piece, this one is modelled more on the novelty ragtime of people like Zez Confrey, Arthur Schutt, and Rube Bloom than on the "classic" ragtime of Joplin, Joseph Lamb, and James Scott. Any comments or feedback would, as always
Hi, before publishing this video I'd like you to listen to that which I was working on in the last 2 weeks. Again based on a fascinating Beethoven draft (hias notes marked yellow):
would you please compare these 2 versions of an amazingly powerful first Beethoven attempt to write a c-minor Symphony movement ("Presto") from the early 1790s?.
my revised version of a completion by W.Holsbergen:
A tonal piece based on an unusual mode inspired by Peter Mennin.
It was more a technical exercise but not being as clever as Mennin I had to reject all but the slow movement (submitted here). It's also more true to the mode.
Hallo, I just wrote these variations on a beautiful early Beethoven piano draft. Please share with me your thoughts. Till next week I may present to you also the notes ...
I submitted an earlier version of this quartet some time ago on the earlier forum but it needed trimming down a bit. It comes from a more tonal era (for me).
It's four short impressions of a small tropical town for flute, cor anglais, clar
I confess to being a contrarian and an iconoclast, which is reflected in this latest fugue of mine, in ways that should be readily apparent to the listener. Or so I hope. :-D I have a lot to say about this offering totally not in the spirit of Octob
This arose one evening at a Dartington summer school when three of us were left with nothing much to do so we decided just to write a two or three part fugue, see how we got on.
