I know there probably isn't any standard, but just wondering what are the usual paper sizes employed for a conductor's score with 16-18 staves? Something that's comfortable to read and not too spaced out that it's difficult to pick out the lines at
Does anyone resonate or identify with the way of composing described in this video -
If anyone would like to participate in this journey in any way (details in the video), it would be great to hear from you. If not, hopefull, we'll have more videos
I find this forum a bit confusing. It takes some time to get used to the nerdy approach, although it might just be me. I'm probably not the brightest bulb in this esteemed company, and I hardly dare to complain because Kristofer looks a lot like my o
I've started this thread so as to not further derail Guy's thread re intuituve composing.
This post is a result of my and David's discussion about the use of technique whilst composing, i.e. using craft. I said I'd post some examples from how I use t
Have you ever written music for Halloween or created music suitable for the occasion? This is your chance to scare the hell out of us with your creativity.
Almost 30 members. it's getting busy here. I can't possibly remember all the names, let alone the things they stand for. Maybe I should put their photos on a whiteboard, like detectives do when they're trying to solve a crime. I will make notes like
I am posting an orchestration of mine here, intended mostly to initate a conversation about NPPE, which is the new software element of NotePerfomer that Arne Wallander introduced this summer with the free NP4 update.
This forum seems to have gone completely to sleep -- either the participants aren't writing anything (and most members are making no contribution at all) or they don't want to share what they're doing. I have yet to start on a new work but perhaps to
What is your experience of receiving criticism as a composer and how has it changed over time.I’m still near the start of my journey, and have had some amazingly valuable pointers and advice from posting my music on forums and asking for feedback. B
as this forum seems to have died recently, I feel obliged to post something new. Well actually, it isn't really new but my String Serenade has been redone with a new chamber strings library and for the most part, I like the result. The piece is a bit
I heard my teacher say that to a student who hadn't completed his assignment (a composition in Dorian mode) for the umpteenth time and this time used 'no inspiration' as an excuse. Inspiration is for amateurs.
Hey all, I thought I'd put this up and see if anyone likes it. It's long been finished, recorded and released, so if you *don't* like it then we'll all just have to live with it, but I hope you do.
This is a 33 minute throwback-to-the-19th-Century composition for a full symphony orchestra with extra brass (2 trumpets, 2 horns, and 2 trombones) expected to play from the balcony - an idea that I stole from Respighi (who probably stole it from Mah
After reading Dave Dexter’s latest comments in the other thread, I realized I haven’t shared much of my work lately.The main reason is that I’ve been in a period of intense study and haven’t written much beyond a few 'academic exercises.' I did compl
Against my better judgement, as fairy tales seem to have become an increasingly regular part of my output, I decided to try and draw your attention here to my just completed (well, the first draft) Cinderella setting. Normally it's too much to expec
I've recently completed my magnum opus, a setting of the HC Andersen tale The Little Mermaid. At over 1hr 7 mins, it's the longest thing I've ever written but is perhaps also the best and certainly the most characteristic of the sort of thing I'm mos
I've never bothered putting up my limited forays into solo piano music up on the web before as I was never very happy with my endeavours. And piano music is anyway the most commonly posted form by amateurs. But the latest set of four works seems to m
