I find this forum a bit confusing. It takes some time to get used to the nerdy approach, although it might just be me. I'm probably not the brightest bulb in this esteemed company, and I hardly dare to complain because Kristofer looks a lot like my o
Almost 30 members. it's getting busy here. I can't possibly remember all the names, let alone the things they stand for. Maybe I should put their photos on a whiteboard, like detectives do when they're trying to solve a crime. I will make notes like
Have you ever written music for Halloween or created music suitable for the occasion? This is your chance to scare the hell out of us with your creativity.
I heard my teacher say that to a student who hadn't completed his assignment (a composition in Dorian mode) for the umpteenth time and this time used 'no inspiration' as an excuse. Inspiration is for amateurs.
I am posting an orchestration of mine here, intended mostly to initate a conversation about NPPE, which is the new software element of NotePerfomer that Arne Wallander introduced this summer with the free NP4 update.
Against my better judgement, as fairy tales seem to have become an increasingly regular part of my output, I decided to try and draw your attention here to my just completed (well, the first draft) Cinderella setting. Normally it's too much to expec
Hey all, I thought I'd put this up and see if anyone likes it. It's long been finished, recorded and released, so if you *don't* like it then we'll all just have to live with it, but I hope you do.
The title of a composition can be important. It indicates what the composer wanted to express. Although there is quite a bit of swindling going on here. Some titles are only given to a composition later and not even by the composer.I like to play aro
This is a 33 minute throwback-to-the-19th-Century composition for a full symphony orchestra with extra brass (2 trumpets, 2 horns, and 2 trombones) expected to play from the balcony - an idea that I stole from Respighi (who probably stole it from Mah
I haven't been very active on here in the past year; and of course, the whole site was gone there for a little while. But I thought I'd jump back in and post the link to my latest work, my Violin Concerto in C Minor. I wrote it this week a
HS Tech gave me the idea. He wrote about keys and the colors they represent to him. I find it very personal because I would assign different colors to the keys. But there could be a common factor when it comes to the preference for certain keys. For
Some composers are facing challenging times. Not me. I don't even write music for the public, and I don't require the income. Since my retirement, I've simply been trying to keep myself busy, especially during the autumn and winter months. I enjoy ri
Hey folks, here's a musical puzzle to solve. Listen to the piano music with the score and see if you can guess the very well known Christmas song that is embedded within. Hint - the tune is not played in a straight forward way. If you figure it out
I know there probably isn't any standard, but just wondering what are the usual paper sizes employed for a conductor's score with 16-18 staves? Something that's comfortable to read and not too spaced out that it's difficult to pick out the lines at
For what I believe to be quite obvious reasons, I am reluctant to accept this petition for new membership. I'll invite the group to vote on this one. Please opine and justify your answer:)
