Composers' Forum

Music Composers Unite!

Kristofer Emerig
  • Wien
  • Austria
Share on Facebook

Kristofer Emerig's Blog

String Octet 2nd Movement Draft

Posted on December 29, 2016 at 4:00pm 0 Comments

Now with the holiday behind us, I have returned to the Octet. Here's my present rough thought for the second movement:

It's perhaps a near miss, or a glancing collision, with minimalism. My designation as draft, in conjunction with the… Continue

String Octet I.

Posted on November 13, 2016 at 4:00am 0 Comments

String Octet, I.…


Prelude-Like and Fuguish in A Rather Flat

Posted on November 11, 2016 at 12:30pm 6 Comments

Sorry, this is just .. strange.…


Kristofer Emerig's Discussions

Fugue.. alas, the forgotten art.

Started this discussion. Last reply by Fredrick zinos on Thursday. 43 Replies

It seems that in our modern time, interest in the fugal discipline is all but forgotten. With so few allusions to the topic on this board, I thought I might post one of my own examples of this rarest…Continue

Tags: Fugue

Ivan Khunt

Started this discussion. Last reply by Dave Dexter Nov 12, 2016. 7 Replies

Apparently this guy is a big name.I suppose we could discuss Khunt.Continue

Tags: Khunt

Concerto for Oboe, Flute, Harpsichord, and Avant Garde

Started this discussion. Last reply by Kristofer Emerig Oct 24, 2016. 12 Replies

Just a little rough draft (now 2nd draft, actually) of a first movement. Normally, I would not consider this derivative little piece of Baroque pastiche of great enough compositional importance or…Continue

Tags: garde, avant

Mirror Fugue (vertical)

Started this discussion. Last reply by Kristofer Emerig Oct 24, 2016. 48 Replies

I'll return to this later with a properly embedded sound file, a more comprehensive description, and probably a completely rewritten introduction.…Continue

Tags: fugue, mirror

Kristofer Emerig's Friends

  • Larry Elliott
  • gregorio X
  • Dave Dexter
  • Rodney Carlyle Money
  • Ray
  • Fredrick zinos

Kristofer Emerig's Photos

  • Add Photos
  • View All

Kristofer Emerig's Page


Loading… Loading feed

Latest Activity

Kristofer Emerig replied to Kristofer Emerig's discussion Fugue.. alas, the forgotten art.
"If memory serves, it was the largely forgotten composer Wilhelm E. Mendnellson who somewhat less than famously said, "Der Komponist, der vergessen, aber nicht vergeben wird, kann niemals zitiert werden". He also went on to state that…"
Tom Jensen replied to Kristofer Emerig's discussion Fugue.. alas, the forgotten art.
"Good to see someone else writing fugues, there are a few of us around, so the art is not forgotten! I felt the fugal section didn't leave enough space between the opening subject and the new voice (which is your second subject instead of a…"
Feb 14
Kristofer Emerig replied to Marijn Hartkamp's discussion Please give suggestions for this symphony.
"No matter how erroneous and unfounded, there is little to say in contradicting such allegations. Demonstrable evidence is the only recourse. Here is a sonata which I actually did author, for comparison:"
Feb 8
Kristofer Emerig replied to Ray's discussion The Euphonium, my favourite brass instrument
"Perhaps I'm splitting hairs here, but would the proper term be "fugue for euphoniums", or "fugue for euphonia"?"
Feb 4

Profile Information

What have you composed for? Or what medium do you work around?
Choir, Orchestra, Small Ensemble, Big Ensemble, Other
What is your favorite genre or style of music?
Late Renaissance, Romantic, Baroque, in said order
Is music your main income source?
No - Not Yet
Where do you live?
Earth, unlike many among us here.
About Me (Must include biographical information about you as a composer):
I write mostly solo harpsichord music, and some synthesizer works, and have done so in earnest for slightly less than 20 years after a nearly decade long hiatus.

I have experimented extensively with alternate temperaments, tunings, modal systems, and whatnot. I listen to a great deal more classical Indian music than my discussions on the forum would indicate, and suspect that this influence informs my compositions in subtle ways, or so I've been told. Some prominent compositional influences are Dufay, Tallis, Byrd, Gibbons, Frescobaldi, Bach. There are others, but this box is only so big.

Although I do not consider them strong compositional influences, I enjoy the music of Mozart, Schubert, Chopin, Mendelssohn, Brahms, et al, very much. I'm sure some of these influences soak into the writing through osmosis -it's unavoidable- but tenuously enough to be nearly indiscernible.

Comment Wall (5 comments)

You need to be a member of Composers' Forum to add comments!

Join Composers' Forum

At 11:24am on January 17, 2017, Per-Erik Rosqvist said…

I'm sure you will like this:

Sorry for spamming.

At 10:52pm on January 16, 2017, Per-Erik Rosqvist said…

Computer science.

PLease google for it, it makes is perfectly comprehensible. I post you a short lecture I had about Gödel and his proof. ANy thoughts or objections?

Angående diskussionen om fri vilja existerar eller inte (tidigare), tänkte jag bara skriva några ord.
För fortsatt diskussion bör man åtm. skumma igenom (eller ännu hellre läsa) det här:

Här tänkte jag bara ta upp och förklara i lekmanna-termer Gödel's bevis för att allt inte är pre-determinerat.
Hans bevis går ut på att givet ett tillräckligt stort axiom-system (mängd av räkneregler) så existerar det funktioner (ett matematiskt begrepp där man stoppar in någonting och får ut något annat), det existerar funktioner som INTE går att beräkna. Han bevisade detta genom att helt enkelt hitta en sådan funktion.

Därför är La Place teori om att en varelse som kände alla indata och alla naturlagar från början, skulle kunna - med tillräckligt stor hjärnkapacitet - beräkna allt som ska hända från den punkten och fram till i dag, felaktig.

Ergo, mycket lite är förutbestämt. Och det visar också resultat från modern kvantfysik rent empiriskt.

Tack för ordet.

At 3:00pm on September 28, 2016, Larry Elliott said…

Been%20There%20-%20Piano%20score.pdfGreetings  Kristofer,

Thanks so much for listening. Here is the score I just put together from my Pro tools session. If it too crazy, I can resole it to eight notes rather than sixteenths.

Let me know if it works for you.

Very best,

Larry Elliott

At 8:59am on September 14, 2016, Ray said…
I'm no longer familiar in these parts by being singularly responsible for this forum's lack of general activity ..............or so I've read! It's so antisocial not offering big hugs to all manic depressive creative types. Atm I'm on vacation 'chillin' and glad to be away from the real world for a few days.
At 12:25pm on September 4, 2016, Tyler Hughes said…

Welcome to the Composers' Forum


© 2017   Created by Chris Merritt.   Powered by

Badges  |  Report an Issue  |  Terms of Service