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Olga Krashenko's Discussions
Iannis Xenakis and the pedagogy of composition
Started this discussion. Last reply by SEDstar Oct 12, 2010. 1 Reply 0 Likes
Considering that each composer finds own way not just how to compose his music, but also how to teach the composition for his students (if he intends to do it), I would like to discuss about…Continue
Opportunities for collaboration
Started this discussion. Last reply by Andrew Gleibman Oct 10, 2010. 3 Replies 0 Likes
Duo for the Liberation of Sound and Image (DLSI) The russian composer Olga Krashenko and the american composer Gerard Pape have decided to create a preformance duo so that they may insure ideal…Continue
Humor of DLSI
Started Oct 10, 2010 0 Replies 0 Likes
"Can you accept that time does not exist?" said the physicist to the violist. "Maybe,but how then will I get paid for my overtime rehearsal?""We always think about and take care of the future…Continue
Olga Krashenko's Page
Latest Activity
Olga Krashenko left a comment for Robert "Robby" Piotrowski"Thanks for the comment!
You are right, I imagine myself the connection of music with high level spirit... how ever you would call it... in music you don't need to have words..."
Robert "Robby" Piotrowski left a comment for Olga Krashenko"hi! incredible music! something like meridith monk...but also diff'rent! thanx for it!"
Kristofer Emerig commented on Olga Krashenko's blog post Museum music"Furniture builders of several centuries ago figured out how to make good wooden furniture. One can't make good wooden furniture today without employing the same techniques and principles employed then. Good joinery isn't aware of the year.…"
"I’m trying to figure out what you are getting at. If you don’t define “current time,” which it seems you don’t, then maybe it’s up to the reader of your blog to define that term.
If we define “current…"
Tombo Rombo commented on Olga Krashenko's blog post Museum music"Have you read The Imaginary Museum of Musical Works by Lydia Goehr? I haven't read it but I've heard it summarized, she had some good points, similair to yours."
Andrew Gleibman replied to Olga Krashenko's discussion Opportunities for collaboration"This forum is discussing music technology; it can provide you with a feedback about your specific pieces, can give you brilliant recommendations about audio, MIDI, VSTi, harmony, notation, music form, texture etc. It is less likely that members of…"
Olga Krashenko replied to Olga Krashenko's discussion Opportunities for collaboration"As for collaborations, we are open to suggestions and proposals. However, what we are especially interested in involves collaborating with composers who direct their own festivals or concert series and who would be interested to invite us to perform…"
Andrew Gleibman replied to Olga Krashenko's discussion Opportunities for collaboration"Hello Olga,
Welcome to the Composers' Forum. Your link contains interesting sounds and projects. Can you please specify what kind of collaboration you are looking for - it is not clear while looking at your site."
Olga Krashenko posted a blog postMuseum music
At this time, one term appears more and more strongly in my consciousness - the term "museum music". From a contemporary point of view, it can be defined as the music of those composers who have decided to run from the current time ,or even the recent past time, and whose musical compositions are, thus, fit to hand in directly to a “music museum”. It is as if these composers were trying to reconstruct a type of music that is of a past that is already irretrievably lost. We can imagine this…See More
Profile Information
- What have you composed for? Or what medium do you work around?
- Film, Multimedia, Choir, Orchestra, Small Ensemble, Big Ensemble, Songs, Contemporary Ensembles, Other
- What is your favorite genre or style of music?
- Avant-garde, new music, classic music
- Is music your main income source?
- Yes!
- Where do you live?
- France
- About Me (MUST be more than 10 words to be approved):
- Olga Krashenko graduated from the Saint-Petersburg Conservatory in 2008, having followed the classes of composition of Professors B.Tischenko and V.Citovich. Currently, she is completed this June 2010 her advanced studies in composition ("niveau supérieur") at the Ecole Normale de Musique in Paris, class of Professor E. Lejet.
She was awarded a scholarship to attend the courses of the Ensemble Academy Freiburg (2007) and interpretation courses with regard to works by Luigi Nono with live electronics and with magnetic tapes given by the Experimental Studio for Acoustic Art (2007). She was also
awarded scholarships to attend the Stockhausen Summer Courses in 2008 and in 2009. Another scholarship was awarded to her in order to attend the workshops of the Biennale of Venice 2008, including the Laboratory "Sensitive Space" with B. Furrer.
In 2009 Olga Krashenko was awarded a fully expense paid residency to compose a new work for flute and electronics at the Studio Varèse in Paris. In April 2010, she presented a new ensemble piece in the master-class of the Paris based Ensemble Alternance. She was winner
of the competition "Call for Scores" of the organization Sound Plasticity (Moscow, 2009) and finalist of the International Composer Competition IIC Melbourne 2010. She is currently a composer/performer member
of the computer music ensemble "CLSI" in Paris.
Her compositions were performed at 8 festivals in Saint-Petersburg in Moscow and Kiev. At concerts in Europe in 2009, her pieces were given their world premiere by such world reknown soloists such as Dimitri Vassilakis (Ensemble Intercontemporain), Cecile Daroux
(Ensemble Itinéraire), Pierre-Stephane Meugé, Jacqueline Mefano (Ensemble 2e2m), Daniel Kientzy and Maurizio Barbetti.
- Website:
- http://dlsi.krash.net
Olga Krashenko's Blog
Museum music
Posted on October 10, 2010 at 12:00pm 4 Comments 0 Likes
At this time, one term appears more and more strongly in my consciousness - the term "museum music". From a contemporary point of view, it can be defined as the music of those composers who have decided to run from the current time ,or even the recent past time, and whose musical compositions are, thus, fit to hand in directly to a “music museum”. It is as if these composers were trying to reconstruct a type of music that is of…
ContinueComment Wall (2 comments)
- At 7:18pm on May 27, 2011, Robert "Robby" Piotrowski said…
- holy words, really!
- At 5:01pm on May 27, 2011, Robert "Robby" Piotrowski said…
- hi! incredible music! something like meridith monk...but also diff'rent! thanx for it!
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