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Kristofer Emerig
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  • Lowell, IN
  • United States
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The Four Horsemen Ride Apace..

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Profile Information

What have you composed for? Or what medium do you work around?
Other
What is your favorite genre or style of music?
fugal-contrapuntal psychodelia and gangster rap
Is music your main income source?
No - Not at all.
Where do you live?
Indiana, Mecca for shotgun, rusted-out pick-up, and cheese fry enthusiasts worldwide
About Me:
1 And I saw in the right hand of him that sat on the throne a book written within and on the backside, sealed with seven seals. 2 And I saw a strong angel proclaiming with a loud voice, Who is worthy to open the book, and to loose the seals thereof? 3 And no man in heaven, nor in earth, neither under the earth, was able to open the book, neither to look thereon. 4 And I wept much, because no man was found worthy to open and to read the book, neither to look thereon. - Revelation Of John 5:1

I'm not Baroque; I've got $27.15 in change.



" I like opera ... except for the vocals..."
.................................................................... - my brother


"Kaleidoscope is scored for 3 mechanical pianos. The timbre of mulitple pianos can have an ultra percussive and throughly revolting quality. The tempo plus the disagreeable nature of the noises produced [by] this thing with all its pounding and shreiking, make this piece unplayable by performers and unlistenable by humans.
Kaleidoscope, like other things I've submitted on this site, suddenly appeared without my bidding, I assure you. The music is so hidious that not only am I prepared to apologize for it, I am prepared to swear I had nothing to do with its creation."
.................................................................... -Fredrick Zinos, on his composition "Kaleidoscope for three Mechanical Pianos (2007)"



"If Beethoven had been killed in a plane crash at the age of 22, it would have changed the history of music... and of aviation. "
......................................................................-Tom Stoppard


"..one thing my wit is not, is dry. I still consider the three stooges to be almost as funny as congress, but not as dangerous."
.....................................................................-F Zinos


Bach, whose music was included on the Voyager Golden Records as an example of humanity's best achievements, was also honored by author/scientist Lewis Thomas, who once suggested how people of Earth should communicate with the universe: "I would vote for Bach, all of Bach, streamed out into space, over and over again. We would be bragging of course, but it is surely excusable to put the best possible face on at the beginning of such an acquaintance. We can tell the harder truths later."

-Lewis Thomas


.............................................................you is not deep. Muzic is not about melody. Melody, melody, melody, jiggy, dancy, pooh pooh!
.................................................................................................................-Danilo Chompor


"She had not a thought in her head that was not a slogan, and there was no imbecility, absolutely none, that she was not capable of swallowing if the Party handed it out to her."
......................................................................George Orwell - "1984"


"A lie can travel halfway around the world while the truth is putting on its shoes."
......................................................................Mark Twain


"In Newspeak there is no word for 'Science.' The empirical method of thought, on which all the scientific achievements of the past were founded, is opposed to the most fundamental principles of Ingsoc."
......................................................................George Orwell - "1984"



"What I hope to get out of composing is a deeper more profound understanding of phrenology."
..................................................................F Zinos

Latest Activity

2 hours ago
2 hours ago
on Wednesday
NI North India soundpack is, I think $79 or Euro 69 and in my opinion worth every cent. You will need the free Kore player if you dont have the full version and you can also get some other really good free sounds at NI. The Ethno Instrument is quite…
on Tuesday
on Tuesday
on Tuesday
How much $?
on Tuesday
on Tuesday
I use Windows and the ethno instrument does work within that OS. Only one thing though and that is that I have found that the ethno VST or plug-in is very CPU hungry and that it effectively does not work well in my sequencer which is FL Studio (some…
on Tuesday
on Tuesday
I'm not trying to be contrary Ben, I just really wanted to hear an specific example of what you deem to be totalitarian music, out of curiosity, if nothing else.
on Monday
Kristofer Emerig added 2 songs
on Monday

Kristofer Emerig's Blog

Kristofer Emerig

Iccanobif's Rorrim - Kcirderf aedi doog!

http://www.box.net/shared/dbpth22djx

I've long used Fibonacci numbers to transform subjects, get more mileage out of them, or generate "cycles" from a single source idea. I've had some time to observe and reflect upon how these values behave when projected on the diatonic system.

Unfortunately rigorous proof of the assertions I'm about to make would require an explicit mathematical description of good part writing, eg, a vast set of parametric… Continue

Posted on November 18, 2009 at 1:30pm — 10 Comments

Kristofer Emerig's Photos

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Comment Wall (157 comments)

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At 5:06pm on December 23, 2009, Ray Kemp said…
You'll get more instant gratification from EWQLSO Platinum. Also stage positioning using a combination of close, stage and concert mic positions is built in where VSL SE + Extended libraries need tweaking to get a realistic sound including buying a separate Convolution Reverb VST plugin like Altiverb 6 for positioning your instruments. You should definitely consider buying NI Kontakt 4 sampler. Not only does it have a good selection of instruments included but there are many reasonably priced third party sample libraries that use kontakt as a platform including Sitar Nation that I've used in "battle of the drones".
check it out here
At 9:34am on December 23, 2009, Ray Kemp said…
I just did the battle of the drones as a follow up to my joking about it in the chat.
Perhaps I'll go back to it and sort a few issues. ATM it's just bagpipe, sitar and tablas.
Now! I believe you are thinking of getting new hardware to run some software virtual instruments. If that is so I'll write a few lines to you with my thoughts on what's good for the money. Minimum would be PC running Windows 7 x64. Quad core processor and 8GB DDR2 ram. Hard drives would be a minimum of two (better two 500GB than one 1TB or 250GB C drive 750GB G drive). The operating system and apps running on one and the sample libraries loaded on the other. Sound card internal or external? The one on the motherboard is useless for what we do. The M-Audio Audiophile 96/24 whatever thingy is a good internal and has midi in and out connections. External? Line 6 do a very reasonably priced unit but there are so many out there with their strengths and weaknesses. Then, a midi controller keyboard. Again take your pick.
DAW ? I use Cubase 5 but hey! take your pick depending on what you want to spend. They all do the same thing in varying degrees of ease. A good starter is Reaper.

Any questions don't hesitate.

Ray
At 12:47pm on December 22, 2009, Yaiza Varona said…
Hi Kristofer,
I enjoyed your Nautilus quite much. Especially the change in 1:25 and 4:25, I love the way you introduce transitions, so ellegantly. I also find the bass line very flexible and well articulated, a very subtle support to the rest of the work. I just love left hand here. Once again, the one word that keeps on coming to my mind when I listen to your music is "intelligence". Wonderful work! Thanks so much!
At 12:55am on December 20, 2009, Chris Dargay said…
Binary F# Minor has my full attention X2. NautilusI revolves progressively with constant evolution. Nice resolve! Joyous greetings.
At 1:18am on December 17, 2009, Simon Godden said…
Is that possible?
At 6:26pm on December 16, 2009, Karen E. Peace said…
Hi! sorry so late in getting back to you -- here are the links to the Requiem.

Complete except for new movement: http://soundclick.com/share?songid=6959331
New movement Pie Jesu: http://soundclick.com/share?songid=8330001

Happy Holidays!

Karen
At 1:10pm on December 16, 2009, Dankk said…
Love the Concerto for Harpi and String Ensemble in AbMaj Kristofer! Very inspiring work indeed.
At 7:00am on December 15, 2009, Yaiza Varona said…
Thanks to you!
There I go listening to your Ridiculoso again. I hear a lot of sly maneuvres to keep the ear holding breath. The more I listen to it, the less obnoxious I find it haha Intense yes, stubborn as well, in the way sometimes Steve Vai plays sometimes too, but with a much better structure sustaining it. It is overwhelming maybe even because quality is just so good.
Again, hats off - I promise to get over the obsession for this track and move to another one of yours :)
Other than that, I am for sure interested in the groups, especially in Early Music subject, but still am in musical information overdose fase in this site right now - and want to give it my full attention- hopefully soon
At 6:45pm on December 13, 2009, Fredrick zinos said…
Kristofer,

Thanks for tuning me in to Yaiza's music. It is very good indeed.
At 3:22pm on December 13, 2009, Yaiza Varona said…
Hello Kristofer
I have much enjoyed your Concerto Ridiculoso. Indeed.
I find it incredibly intelligent the way dialogue keeps visible and open throughout the whole piece in consonance to the ever increasing tension in it. The way that particular tightness and general intensity are kept make the attention of the audience grow without pause, something really difficult in a track of more than 9 minutes. I find very sly the occasional relaxing of the tension, sometimes like mere gasps to catch up breath and simply come back for more, other times in the form of winks to musical stuff previously presented.
I don't know if I made myself clear, but in few words: wonderful and very intelligent piece, I will still listen to it many times so I can understand it better! Hats off!
At 9:08am on December 13, 2009, Harpsichordal said…
Thanks a lot Kristofer. Well, for me the world music adventure is all a learning experience. You are most welcome in the group. Hopefully, we can learn a bit about it together. Glad you liked my tunes. I gave another listen to some of your tunes and I certainly haven't lost my love of baroque...great work. I like your jokes too!
At 10:46pm on December 12, 2009, Christopher Sahar said…
Yikes - one part of my comment may not have sounded so nice - I meant I'd listen to your stuff over much of the stuff I hear on the classical radio. Sorry if the prior content of my comment below offended at any time.
At 10:43pm on December 12, 2009, Christopher Sahar said…
Actually I think your Roland piece is the best I have heard from you so far - part of it is the timbre of the Roland ... the lush string synth coupled with the neo-baroque style (somewhat drawn out more - reminds me of Brian Eno's experiment in Discreet Music where he took Pachabel's Canon and had each instrument slow down at different rates).

Love the ending the piece with its irresolution - yet entirely in keeping with the piece.

Somehow this piece also struck me to stretch beyond your usual work - which is quite fine and beautiful but the stylistic purity of it is not always to my aesthetic taste (well when you explore the Frescobaldi vein that always grabs me and anywayh I'd listen to your stuff any time of the day over the second rate music of Offenbach and some Bernstein ... etc). Anyway my point it sounds like this instrument inspired you to stretch a little your musical voice into a few new areas. So a big Bravo.

PS I added two movement of a String Quartet I just completed this fall - would love your comments onit.
At 5:43pm on December 4, 2009, Chris Dargay said…
Lol... I'm just throwing song titles at the wall so I don't forget. Element is different because I restricted my note usage to 1 scale mostly. Ill take your advice and return to this format for a while to see what happens. Best reguards!
At 10:35am on December 3, 2009, Adrian Allan said…
Thanks for listening. Yes, a piece can be adapted and I will bear these comments in mind. I will start to thing about another hymn soon - and maybe I will set out to have a mixed modality in the music.
At 4:18am on November 26, 2009, Kento said…
By the way, do you use any online messengers? Maybe there's a good time we can talk about fugal writing and the like & exchange contrapuntal pieces, or of course we can exchange e-mails.
At 4:18am on November 26, 2009, Kento said…
Hey! Listened to Fantasy IV, interesting Canon...I was wondering if the half-mordent on the initial note (A4, if I got those octave numbers right) was intentionally a reference to the famous Bach Dm Toccata. When I heard it as the first note, I had an extremely strong expectation of the scalular descent in that piece and thought maybe you put it there to put a really distinct beginning to the canon that would cut through the other voices when it enters.
At 8:53am on November 24, 2009, Simon Godden said…
No, it be more than one cadence Sorr! Oh yes.

Actually, I'm working on it, as we speak.
At 10:08pm on November 17, 2009, Fredrick zinos said…
Will the blog be entitled "Iccanobif's Rorrim?"
At 7:02pm on November 17, 2009, Fredrick zinos said…
Kristofer. Fibonacci is really good. Throughly enjoyed it and will listen again soon. I suspect my appreciation of the music will be enhanced with a more complete understanding of the arithmetic behind it. I can't do arithmetic since I do not believe in the number "9". What a mess that number is. Compare "9" to other numbers. They all have a pretty stable base and will stay put. But "9" with its one skinny leg and big fat head is likely to fall over, i.e levo-rotate. Anyway, all of math is way too close to being a religion. Either you believe in it or you don't. I can get to Fibonacci through Botany though, since that is the way tree branches and other flora conducts itself.

Thanks for looking at Fugue in D minor. You are right, the writing will really only work for string instruments not for keyboard. And as far as shoe sizes are concerned I would make some infantile comment about the fugue being written in foot notes, to be played on the shoe horn, but luckily good taste prevents that.
 
 
 

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