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a piece for Piano which in its intial stages I had brought up here before, but now I feel it is finished: https://youtu.be/ekqplpNC0oA which I haA piece of parting from someone you love - it contains some of the most temder passages I ever wrote - …
"I've read that you're a self-taught composer. I always said that no self-taught composer would reach such a high level and you repeatedly proved me wrong. I hate you.
You must have studied music at a higher level. Come on, be honest, perhaps you…"
You must have studied music at a higher level. Come on, be honest, perhaps you…"
"the last movement of my 12th seems to have had perhaps the most positive feedback of any of my works to date but I'm glad you seem to enjoy my latest and I much appreciate the comments. I know my harmonies can confuse those who approach my music…"
"Another fine work, David. I'm partial to your 12th SQ, but this one is equally well done. With your music, one must be prepared to settle in and let themselves be immersed in the music. The harmonies are like a kaleidoscope of colors shifting and…"
I fairly recently completed my latest chamber work. Like with the 12th, this finishes with a consolatory adagio as its heart, though this time it's a bit more complex and starts with a variant of the main motif of the first movement which is highly…
"I started with "serious" libraries around 2005 when VSL was indeed the clear leader with only EWQL providing any sort of competition. Nowadays, Orchestral Tools have a huge range, as do Spitfire to name just perhaps the biggest. For chamber music…"
"I use the full version which I got many years ago when VSL was the widely acknowledged champ. I liked the large variety of articuations but more than than that, I was sold by the fact that you could change articulations with cc's instead of the…"
"I was a bit surprised initially when you said it was VSL as I use the Synchron instruments quite widely in a chamber context (I find VSL general too clinical for full orchestra works). I just tried the Special Edition trumpet and indeed the…"
"Hi David: Thanks so much for listening and taking the time to comment. In my world, I take "weird and wonderful" as high praise. The samples are VSL - the originals not the new synchron versions. I agree with your observations about VSL's…"
" this may be less ambitious than the fascinatingly varied Nonet (which incidentally has for me a more logical and interesting instrumentation than the Spohr standard as woodwind, brass and strings are equally represented) but a lot of weird and…"
Triptych for Bb Trumpet and Piano. Transposing score, no key signature. Lost in no-man's-land, sorrounded by Haydn, Alban and Miles. Guidance gratefully accepted. Triptych.mp3Triptych.pdf
"Thanks a lot Wesley!"
"Well, this is beautiful and outstanding!
Wesley"
Wesley"
Latest work, Fantasy In D Flat Major Saul Gefen · Fantasy In D Flat Major
Has anyone here by chance read a book called Blink: How to Think without Thinking? Joel McNeely said it helped him get faster in churning it out. Of course that doesn't mean it will work for everyone, and I'm kinda busy to be taking on a new book,…
"See, you can one-up Compressorhead. They have robot players but human composers (and programmers); now you can start a competing band with both robot players and robot composers! ;-)
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