I confess to being a contrarian and an iconoclast, which is reflected in this latest fugue of mine, in ways that should be readily apparent to the listener. Or so I hope. :-D I have a lot to say about this offering totally not in the spirit of Octob
Recently composed, I've truncated to just on 6 minutes.
It's an impressionist piece (fairly tonal but modern). The story is about a male and female out in a desert region late in the afternoon, gradually admitting a fondness for each other.
Hi, for the first time I work on a choir piece, based on a most melodic Beethoven cantata fragment - a version for choir and piano (the first 45 seconds and interlude at 1:22 - 45 by Beethoven) and a version with orchestra - what do you think? Are t
