What have you composed for? Or what medium do you work around?
Choir, Orchestra, Small Ensemble, Big Ensemble, Songs
What is your favorite genre or style of music?
20th century
Is music your main income source?
No - Not Yet
About Me (Must include at least one paragraph of biographical information about you as a composer) - blank or minimal answers on this line will cause your request to be rejected. Include a link to your website if you have one.
Ali R+ SARAL has studied double majors and has two Master’s degrees,
MSc and BSC from Istanbul Technical University and MM from Illinois State University.
He was accepted to the Istanbul State Conservatoir Composition and Theory Department and
studied harmony, counterpoint and others with Erçivan SAYDAM,
composition with İlhan USMANBAŞ.
He was a student of Roque CORDERO and Arthur CORRA at USA.
He has attended courses at Stanford University CCRMA lab and Darmstad 1996.
He has written 48 works of music more than 9 hours long.
You can find his compositions at Petrucci Library: http://imslp.org/wiki/Category:Saral,_Ali_Riza
He has served EUROCONTROL and German airspace as an air traffic control engineer 1992-1997.
He has specialized in LARGESYSTEMS and Java-J2EE.
His areas of interest include Systems Psychology, ANN and parsers.
He writes blogs at:
http://largesystems-atc.blogspot.com/
http://largesystems-atc-en.blogspot.com/
http://alirizasaral.blogspot.com/
You can reach him at:
Addr: Barbaros Mah Sedef Sk Onur Sit. Akasya Apt. 13/3G Uskudar ISTANBUL TÜRKİYE 34662
Tel: 90 506 887 8401
Website:
https://imslp.org/wiki/Category:Saral,_Ali_Riza
Comments
Thank you for listening to my Nocturne for piano and you kind comment. I'd be glad to send you a PDF of the score. The message feature in this forum doesn't accept PDFs. If you send me an Email message to my email account, I will attach a PDF of the score to reply to you. My email is schreinermm@gmail.com.
All the best to you,
--Marty
I went to your Website and listened to your Algorithms. I enjoyed listening and was drawn into the broad up and down the keyboard gestures that continually shifted pattern and expanded tightly packed intervals into larger and larger ones. It was a as though the music was happening between the pitches rather than with the pitches. I see that you were working with a kind of sine wave conception. What is the algorithm?
Thank you Gav but I could not figure out why I noticed your comment so late.
Welcome Ali!