since your Nonet, I've come to expect great things from you and this both mysterious and haunting latest piece doesn't disappoint. Love the microtones around 6'15"!
HI David: Thanks for listening! This piece was a bt of a stretch for me and I was a little nervous about posting it. Your encouraging response is much appreciated.
I enjoyed this work. Contemporary music usually isn't for me, but I really appreciated the techniques you employed here- particularly the symmetry of the call and response around 6.30 - 7.30. It feels like hearing a poem read by a captivating narrator. Looking forward to hearing more. Keep it up!
Peter Iverson > Ollie King-BrittonJuly 27, 2025 at 7:39pm
Hi Ollie: You're comment about a poem read by a captivating narrator reallyn cuts to the essence of what music means to me. I want to make music that tells a story and evokes an emotional response. Thanks for hearing that in this piece.
I think we're on the same wavelength, then. That's perhaps the reason why quite a number of my works use text directly -- in fact I regard The little Mermaid as best piece to date as it goes to the heart of what I try to be as a composer.
Replies
since your Nonet, I've come to expect great things from you and this both mysterious and haunting latest piece doesn't disappoint. Love the microtones around 6'15"!
HI David: Thanks for listening! This piece was a bt of a stretch for me and I was a little nervous about posting it. Your encouraging response is much appreciated.
//p
Hi Peter,
I enjoyed this work. Contemporary music usually isn't for me, but I really appreciated the techniques you employed here- particularly the symmetry of the call and response around 6.30 - 7.30. It feels like hearing a poem read by a captivating narrator. Looking forward to hearing more. Keep it up!
Hi Ollie: You're comment about a poem read by a captivating narrator reallyn cuts to the essence of what music means to me. I want to make music that tells a story and evokes an emotional response. Thanks for hearing that in this piece.
//p
I think we're on the same wavelength, then. That's perhaps the reason why quite a number of my works use text directly -- in fact I regard The little Mermaid as best piece to date as it goes to the heart of what I try to be as a composer.