For me, producing a useful score - one that could be submitted to professional directors/orchestras - is hard work. I start on paper in short score; then move it into a daw. By then most if not all the orc
I finished a couple of chamber pieces recently, this one last month. Having given it a tart-up today, rendered it. It'll probably be part of a 3 movement work if I keep it.
I've had so much trouble and frustration recently attempting an orchestral piece that I gave up. There comes a point where it gets too much. Last time that happened I gave up composing altogether for several years.
I'm putting together two pieces represeting the mood of the sun in the heat of summer and the moon at a similar time. This is the first one. Probably best described as symbolist / fairly tonal; through composed based on a couple of motifs that recur
This is a bit modern. Duration 6 minutes. I was thinking of it opening a suite of 3 pieces for mezzo / orchestra. I'm stuck on a slow movement at the mo - and this is a "style" I've been trying to break f
(The topic title line doesn't allow room to name the piece... never mind).
Recently completed. Doesn’t represent much of a stylistic development for me as it reverts to symbolism, something from which I was hoping to move away.
Just a way of introducing myself. On the old forum I was known as Dane - my stage name for a long time - times that fade increasingly into the past so I'll use my "real name" here (which means having my user id changing if that's possible.