David Lilly's Discussions

David Lilly's Discussions (4)

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What Autumn Wrote (For a 6-piece ensemble)

Been a little quiet around here! I'll share my latest writing- There is nothing particularly ground breaking here, but I wanted to work on my ability to write for a small ensemble before tackling larger groups. The best way to describe this is an att

Started by David Lilly

Study done on the thread regarding perspectives within HS Teoh's Fugue in G Major (Polina recording Vs HS Teoh+David recording)

LONG- BUT HOPEFULLY INTERESTING- STUDY DONE ON HS TEOH'S THREAD FOR FUGUE IN G, WHERE OPINIONS LEANED TOWARDS THE POLINA RECORDING

(I would have posted this in the original thread for consistency, however, it seems you cannot attach images in replies

Started by David Lilly

(Conlon Nancarrow inspired) crazy, sinister idea; but has it happened?

Drawing inspiration from the great Conlon Nancarrow, a pioneer in acoustic player piano manipulation well before the era of MIDI and DAWs, I find myself contemplating a unique but surely controversial idea: I wonder, what would be the outcome of cre

Started by David Lilly

Performance of Piano Sonata No. 1 in C-

Hello all,

I wrote this Piano Sonata some 7 years ago, and I recently decided to have it recorded. It is just something I've always wanted to get done, as I never felt the piece was truly finished until hearing it on a proper acoustic piano. Here is a

Started by David Lilly

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What Autumn Wrote (For a 6-piece ensemble)

Study done on the thread regarding perspectives within HS Teoh's Fugue in G Major (Polina recording Vs HS Teoh+David recording)

(Conlon Nancarrow inspired) crazy, sinister idea; but has it happened?

Performance of Piano Sonata No. 1 in C-

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