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Emily Bond
  • Female
  • Longmont, CO
  • United States
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  • 5.
    High Mountain Stream
  • 6.
  • 7.
    Song of the Rolling Earth
  • 8.
    Song of the Rolling Earth
  • 9.
    Caffeinated Piano #1
  • 10.
  • 11.
    Weird Waltz
  • 12.
  • 13.
    Ancient One
  • 14.
    Shape Shifter
  • 15.
    Lonesome Underground

Emily Bond's Discussions

New Piece: Reflections of an Evening

Started this discussion. Last reply by Emily Bond Nov 19, 2018. 9 Replies

/ is a quiet, reflective piece I wrote recently.  The hook for me was the G flat chord over a…Continue

Resolve by Emily Bond

Started this discussion. Last reply by Emily Bond Oct 8, 2018. 5 Replies

This was written for the credits to a film I scored for a class at Berkley School of music.  The guy who mixed it for me added Delay.  I really liked how it changed the piano sound, but I couldn't…Continue

Elements Contest Pieces

Started this discussion. Last reply by Ingo Lee Jun 8, 2018. 14 Replies

Here are three of the Elements Contest Pieces that won something.Feedback and comments are welcome!I had wanted to modify High Mountain Stream, but I have been having problems with my computer/piano…Continue

What's the best choir library out there?

Started this discussion. Last reply by James Semple Jan 4, 2013. 10 Replies

I'm looking for a good choir library - Oh and Ah sound is fine, with a non-vibrato or just a little vibrato.  I'd love to hear your opinions & experiences.Continue


Emily Bond's Page

Profile Information

What have you composed for? Or what medium do you work around?
Film, Multimedia, Orchestra, Small Ensemble
What is your favorite genre or style of music?
film scoring/classical/piano
Is music your main income source?
Where do you live?
Longmont, Colorado
About Me (Must include at least one paragraph of biographical information about you as a composer) - blank or minimal answers on this line will cause your request to be rejected. Include a link to your website if you have one.
I teach piano, and music composition; and perform occasionally on piano. I have scored several films, but mostly enjoy writing free compositions, or working with videographers who create visions to go with my already-written music. I compose using Logic Pro for piano, orchestra, chamber, and synth sounds. I'm very interested in music which connects to the heart and gives courage, but also occasionally indulge in humorous compositions. I'm very interested in music theory, key changes within modal compositions (can't get enough of that!), and modern classical sounds, but not atonally oriented.

Emily Bond's Blog


Posted on October 7, 2018 at 9:09am 1 Comment

This is a piece I wrote for a film in a film scoring class I took at Berkley School of Music.  

Caffeinated Piano #8

Posted on July 28, 2012 at 5:00pm 7 Comments

Hi folks.  I haven't been on this forum for more than a year, but I've been composing.  Here's yet another paean to that marvelous morning brew that I hear will actually prolong your life by up to 14%!


Caffeinated Piano

Posted on August 30, 2011 at 3:03pm 1 Comment

Here are three short pieces (under 4 minutes total) inspired by techno - very rhythmically accurate, but with a lot of dynamic control such as you'd get on a midi keyboard.  I can't play these yet but I'm working on it.


Caffeinated%20Piano%20%231.mp3 …


A new piece: Lament

Posted on May 2, 2011 at 10:15am 10 Comments

Here is a new piece I've been slaving over for the past few months.  I think  I've taken the Garritan Gagli violin solo sound about as far as I can get it, tho I'm thinking I need to learn about portamento on Logic, which might improve the line.  But I did find that a giant reverb seemed to deepen the tone a bit. Best would be a real violinist (next step).

Also used Garritan cello, Jam Pack Clarinet, and piano with pad.  Let me know what you think/feel upon listening to…


Comment Wall (29 comments)

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At 11:42am on April 14, 2018, Gav Brown said…

Friend request sent to you

At 5:45pm on June 21, 2016, Larry Elliott said…

Greetings Emily,

I like your music very much. Nocturne is very beautiful. Nice chord changes. Thanks for sharing.

Very best,

Larry Elliott

At 11:33am on January 18, 2013, Norbert Oldani said…

Better late than never - I use Ilio Entertainment's "Symphony of Voices" - it has lots of choral venues. "Spectrasonoics" may be another name for this.

At 10:57pm on January 7, 2013, Robert Hunter said…

Thanks so much Emily. It's always nice to get encouraging words from you, as I really respect your opinions and enjoy your thoughtful comments. This is the first piece I've finished since making the transition to Sibelius a few months ago. The piece is written in Sibelius using EWQL Symphonic Orchestra Platinum, I exported the audio from Sibelius three times, first using the close microphone positions in EWQL, then using the close mics, then the surround mics. I then mixed the 3 tracks in Sonar into a combined audio track and applied some compression. I also used an English Horn instead of an oboe, because I'm not very happy with the EWQL oboes (too bad - I love the instrument). I'm looking forward to listening to more of your work. Happy New Year!

At 6:51pm on August 1, 2012, James Gall said…

Hi Emily

Thanks for listening to my PIANO CONCERTO - Mvt1 and for your comments.  I am obviously pleased you liked it and hope you have the time to listen to the other 2 movements

At 2:07pm on March 11, 2012, Norbert Oldani said…

Hi Emily, I think "Ancient One" is a lovely work - especially the counterpoint.

At 7:42am on June 14, 2011, Shivaranjan Raghuraman said…

For me atonality is quite not the correct description though it is also a part of humanizing..


Both free and strict atonality contribute to humanization. There are certain involuntary aspects in music those get lost when composers rely more on computers. ( Now we do have algorithms to impart humanization. that is different). incorporating those involuntary aspects into our compositions is what I call humanizing. A simple example is this.. 


When you play piano, not all notes are of the same velocity. Those variation in velocity and sustenance makes it real!! This is what is realism. This is what is human. If all notes are of same velocity then that would seem robotic and unreal. 


In certain cases, unlike pianos, we might have to impart these human aspects. And that is what is called humanization. this is my idea. I would like to know how you differ or agree upon this... Awaiting your comment...

At 2:05am on June 14, 2011, Shivaranjan Raghuraman said…
I love the realism in your piano... Are you interested in Indian classical music?!? I have always tried to compose both in unison. I dont know how people perceive this but I wish I could share some knowledge on this with you!! Thank you
At 7:39pm on June 7, 2011, Robert Hunter said…

   "Lament" is a very restful and lyrical piece. I really like how all four voices weave in and out together. I also enjoyed the haunting flute during the middle section (1:40). Beautifully done.

   "Weird Waltz" begins with wonderful melodic interplay of the 2 flutes. The piece appears to have 3 sections, followed by a repeat of each. I wondered whether the piece could be sharpened by having the 2nd part be more of a contrast to the others.

   "Soaring" is one of my favorite pieces. The first theme is beautifully done, haunting and somewhat medieval, the repeated with a rich harmonic background. For me, the pinnacle is reached starting with a new theme at 1:01. It builds to a beautiful resolution at 1:13. Great music!

   I especially enjoyed the structure of "Ancient One". The contemplative initial theme, piano shadowed by cello, is very moody and somewhat dark. Then, at 1:35, the second theme ripples in softly, transposing me to a more hopeful, still emotional, mood. I liked how the intensity built in waves. The repeat of theme 1, after the contrast of theme 2, created much more meaning. Very well done!

   "Shape Shifter" has to be my favorite. I love the intensity of the rhythm and the mysterious air it provokes. It is reminiscent of a Hitchcock film.

   "Lonesome" reveals your influence from Satie. Beautiful and haunting first theme, then a very nice 2nd theme with oboe (and guitar?) with a nice interplay of flute at 1:35.

   In all these pieces it is evident that you are a wonderful pianist. Even though piano is not necessarily a lead in all pieces, it provides a strong underpinning to all. At the same time, all your melodies are very lyrical and enjoyable , while the harmonic textures are rich. You're a gifted composer - I enjoy all that you write.

At 9:09am on June 6, 2011, Robert Hunter said…

Hi Emily. Thanks for your very supportive and generous comments about "Frankenstein at the Dance". Your suggestion about breaking it up into a suite of dances is a good one. However, I'm in this somewhat intractable frame of mind where I've intended this piece to be in "semi-scherzo" form, the results of which may be questionable. I've ended up with A-B-A*-C-A. As you've probably guessed by my cryptic naming of the last 2 pieces, I'm in the middle of composing a second symphony. "Frankenstein" is intended as the 3rd movement. Thanks for listening and thanks for your kind words. I've been listening to all of your uploaded works lately and will be commenting on them in a little while.


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