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"Rabbi Avraham,
Very kind of you. Thank you for listening. I foresee some attentive listening of your work.
tony"
Very kind of you. Thank you for listening. I foresee some attentive listening of your work.
tony"
"Hey Robert,
Got a chance to hear your S2M1 piece. Even over one inch speakers it is a good listen. Particularly like the rhythm figures and spirited instrument combinations. Looking forward to run the list as I can during the rest of the week.…"
Got a chance to hear your S2M1 piece. Even over one inch speakers it is a good listen. Particularly like the rhythm figures and spirited instrument combinations. Looking forward to run the list as I can during the rest of the week.…"
"Robert
Thank you for the response. I'll be getting back to you.
Regards, tony"
Thank you for the response. I'll be getting back to you.
Regards, tony"
"Robert,
I'm having trouble getting your songs to play. It's probably this very old MAC. When I find the trouble, I'd like to hear your work.
regards,
tony hartmann"
I'm having trouble getting your songs to play. It's probably this very old MAC. When I find the trouble, I'd like to hear your work.
regards,
tony hartmann"
"Please excuse me if I veer somewhat from Mr. Hartmann's Cubase topic, but I felt this might be an appropriate place to ask a somewhat related question. I have been using sequencers for over 15 years to drive both hard and soft synths for orchestral…"
"Hello Jeni
These are good musical ideas. I offer two things that you may like to try to see immediate change: One, each piece is rendered at the same level, that is, the same volume and touch. A good teacher told this to me this way - Music has…"
These are good musical ideas. I offer two things that you may like to try to see immediate change: One, each piece is rendered at the same level, that is, the same volume and touch. A good teacher told this to me this way - Music has…"
"Hi Chris
Thanks for taking time to reply. I read long article on Virtual Instruments forum about setting the master fader to 0dB/ recording sample MIDI tracks at a low volume (middle green area) to hear the details better, then balance the…"
Thanks for taking time to reply. I read long article on Virtual Instruments forum about setting the master fader to 0dB/ recording sample MIDI tracks at a low volume (middle green area) to hear the details better, then balance the…"
"Hi Tony!
Some pointers - the 'Velocity' of the midi notes is different from the volume level, but often related. Some sounds may not change volume with velocity at all, but just get brighter sounding. So use velocity to get the proper performance,…"
Some pointers - the 'Velocity' of the midi notes is different from the volume level, but often related. Some sounds may not change volume with velocity at all, but just get brighter sounding. So use velocity to get the proper performance,…"
"Thanks for your comments Kristofer,
This thread has been hijacked, so i wanted to let you know I appreciated your comments. You writing is clear. There was nothing to take offense at and in no way be construed as such. i agree with what you said. My…"
This thread has been hijacked, so i wanted to let you know I appreciated your comments. You writing is clear. There was nothing to take offense at and in no way be construed as such. i agree with what you said. My…"
"Sorry about the false post.
If I may make this personal, you're talking about me here. I do appreciate both the comments and understand the logic. If you're willing to here the op side, please read on.
I have not posted anything I have written. I…"
If I may make this personal, you're talking about me here. I do appreciate both the comments and understand the logic. If you're willing to here the op side, please read on.
I have not posted anything I have written. I…"
"Mike
I got the same information. I was more curious about what the educators today believe will be effective training for composers.
I'm not going to pursue this course any further. It was advertised on the right side of the forum page, so I took a…"
I got the same information. I was more curious about what the educators today believe will be effective training for composers.
I'm not going to pursue this course any further. It was advertised on the right side of the forum page, so I took a…"
"perhaps you could leave us a link.
I know what your talking about and I have wondered about it.
I just tried to find the workshop page but I can't find it cause all I can find is the Jon Howard Appleton co-developer of the Synclavie
What I have…"
I know what your talking about and I have wondered about it.
I just tried to find the workshop page but I can't find it cause all I can find is the Jon Howard Appleton co-developer of the Synclavie
What I have…"
"Hi Tyler
This is not an offer. I am curious to know what the course offers and if any user was willing to comment on their experience with it.
best to you,
tony"
This is not an offer. I am curious to know what the course offers and if any user was willing to comment on their experience with it.
best to you,
tony"
"Could you go into some details as to what you are offering and your back ground?"
"OK. I'll take that as a no.
tony"
tony"
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Comments
Mr. Hartmann, I really enjoyed your "Appalachia Suite". It reminded me of the great english composer John Ireland, but with your own joyful american "appalachian style", different than Copland. From your music, I understand your spirit and wish you well.
Rabbi Avraham
Your "Blue Ridge Sunrise" is a wonderful work. Bravo!
All the best.
Thanks Tony. Let me know whether or not you were able to play them. All are MP3, but the latest one I had to compress more to get it under 20MB.
I also started to listen to your music while at work, and I like it. I'm going to wait 'til I get home to hear on better speakers.
Bob Hunter
Best wishes from Los Angeles,
Stephen
Thanks again
//p
//p
Having the computer background DOES come in handy just keeping all these damn drivers, peripherals, ports, wires, etc all straight so what I do have in my studio works right. A challenge enough as it is ;-)
Stay in touch ! Greg
Thanks again