What have you composed for? Or what medium do you work around?
film, television, web, multimedia, Orchestra, Small Ensemble, Big Ensemble
"OK, Richard, I won't ask any more of you. I wasn't looking for resolution, only your thoughts on several critical issues for composers. Thanks for the clarification on the SCL's response to SABAN - you were there, I wasn't.
I guess with your…"
I guess with your…"
"Hi RIchard -
If legal fees are what's stopping ASCAP from going after (instead of paying millions of dollars of royalties to) the cue sheet thieves, it's odd to say the least that ASCAP certainly had no issues spending what must have been at least…"
If legal fees are what's stopping ASCAP from going after (instead of paying millions of dollars of royalties to) the cue sheet thieves, it's odd to say the least that ASCAP certainly had no issues spending what must have been at least…"
""Now, as to "a very convenient way to duck any responsibility" and "Forcing writers to give up writers share as a condition of being employed is FINE with ASCAP" - this is tabloid rhetoric.
One must only ask WHY? Why would ASCAP do this? To gain…"
One must only ask WHY? Why would ASCAP do this? To gain…"
"Sadly, ASCAP looks the other way when it comes to composers being forced to give away their writers shares as a condition of employment. Note that the rules talks about an "assignment" of royalties... that means after the royalties already have been…"
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Best wishes
Carlos
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