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"Thank you very much Michael! I’m very happy you liked the piece. Yes, contrast is important and it’s there, like everything else, to support the melody. I was a bit hesitant if I could balance a string quartet and a full orchestra but I think it…"
"Thanks Kjell! There might be more big tuttis on the horizon. What I want to write now is a bigger suite for orchestra. If that is what will come is another thing."
"Hello Lennart,
I like the piece a lot. It is easy to follow its development and it has an appealing orchestration. For me, the first half is more appealing due to its many contrasting and surprising events. The second part ends with a truly…"
I like the piece a lot. It is easy to follow its development and it has an appealing orchestration. For me, the first half is more appealing due to its many contrasting and surprising events. The second part ends with a truly…"
"Very beautiful and you managed to keep the interest of the listener throughout the piece. It never felt boring or repetitious. I like how you several times let the first violins fill in the last leg of the previous theme as a launching pad for its…"
"Here is a link to Spotify, with better sound quality: https://open.spotify.com/track/0e2DNvsoPQEkERRe49eG4V?si=-MD4rdnSRU..."
"I really enjoyed this. I’m not going to analyse it that much. Sometimes it’s just enough to enjoy the music. Are you going to publish the other movements too? I’m looking forward to hearing them if you do."
"And thank you michael for you comments!"
"It is also to some extent my personal style to treat every part as equally important. That can be found in all of my music."
"Thanks Jan-Fredrik and Colin! This is the first piece I’ve written for English horn so I guess I did hold back a little and made all the instruments equal players."
"Hi Lennart
It is a pleasant enough piece as it stands, but I think the horn is hiding too much in the background. To my mind it should have a stronger melodic presence than it currently has and should "boss" the strings a bit more.
Thanks, Colin."
It is a pleasant enough piece as it stands, but I think the horn is hiding too much in the background. To my mind it should have a stronger melodic presence than it currently has and should "boss" the strings a bit more.
Thanks, Colin."
"Hello Lennart,
it cloaks itself in a nice, may I say, "baroque", atmosphere. The tension is never lost. Seeing the score would definitely be interesting.
Kind regards,
Jan"
it cloaks itself in a nice, may I say, "baroque", atmosphere. The tension is never lost. Seeing the score would definitely be interesting.
Kind regards,
Jan"
"Not familiar with that program. Interesting to hear how your worked through this and still came through with an excellent outcome. It's easy to double think ourselves in terms of the mix, at least for me, this is something I constantly do."
"Good to hear. I’m asking because I hade done what the guys at Wallander Instruments warn you not to do. I had upgraded to a new version of NotePerformer in the middle of a project! My thought was to just redo the recordings of all movements in…"
"I think both track and mastering are excellent! This must represent a lot of work.
I tend to favor a sharper mix ie a little air in the 5khz range. I always figure the listener can roll it off with their tone control if it isn't desirable to them."
I tend to favor a sharper mix ie a little air in the 5khz range. I always figure the listener can roll it off with their tone control if it isn't desirable to them."
"Charles and all - spam member has been removed from the site"
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Hi Lennart thanx for your comment, I'm Listening to The Deep right now it the chord progression is simply beautiful it reminds me very much of some songs of Vangalis
Hi Lennart,
thank you for listening to my music and for your kind words. I'm glad you like what I do. I've been told I remind people of David Sylvian before but I've never heard him. I should check him out. I'm really enjoying your music at the moment. Really unique and captivating. Keep up the great work! :)
Take care,
Rowan
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Hey Lennart,
I appreciate your comments. Walking Nights and Christ He Loves You are some of my favorite of yours. I think you would find much inspiration from Michael Talbot. Celestial Ballet was written to describe the majestic nature of the world we live on and the insignificance of us compared to the One who created. Many blessings and continued growth in your writing.
Ryan
Hi Lennart,
Thank you for the nice comment! Regarding how I learned arranging, I wish I had a good answer. I don't even know if I "know" arranging, but I'm glad somebody out there thinks so. :) But honestly, I really don't know how to answer that question. I did study a bit of theory, but for the most part I guess I compose by "feel", for better or for worse. Like everyone here, I'm sure, I've listened to a lot of music, so that has certainly helped internalize a lot of common musical concepts. I do wish I could study more about music theory, arranging, and orchestration, but there never seems to be enough time. But I try to learn where I can.
I've listened to your music and it sounds quite good. So for what it's worth, I think your hard work is paying off.
Welcome to the forum!
Don
Thank you Lennart. Yes the EP Think Again and the single Petwhac is available on iTunes, here's the link-
http://itunes.apple.com/gb/artist/mt-hedz/id347869751
We are in the process of recording new tracks which may be added at a later date.
Good luck to you.
Mike
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