What have you composed for? Or what medium do you work around?
Choir, Small Ensemble, Big Ensemble, Songs, Contemporary Ensembles
"Excellent, thank you guys for the feedback!
Tyler, do you mean that the music I wrote didn't attach to the emotion? Or the performance didn't attach the emotion? What kind of emotion did the piece evoke in you? I titled this piece wanting the…"
Tyler, do you mean that the music I wrote didn't attach to the emotion? Or the performance didn't attach the emotion? What kind of emotion did the piece evoke in you? I titled this piece wanting the…"
"Overall I like it but it needs to be longer. If you dwelt on the opening pedal longer and built up a bit more slowly it would feel like the busyness of the central section is more deserved. Also coming back so the A from the beginning at some point…"
"Very interesting piece, well written too. I liked the implied key almost made by your pitch class set, though I wished you would have played around with it by either transposing it or inverting the set more. My only other qualm would be that you…"
"Very interesting. :)"
"I second this suggestion. Bartok is a great place to start and set up camp, way more accessible than Stravinsky, and really underrated.
Jeremy Stewart said:
Experiment with modal scales that aren't taken from modes of major key. Use modes of…"
Jeremy Stewart said:
Experiment with modal scales that aren't taken from modes of major key. Use modes of…"
"Pitch Class Sets."
"Hi there,
I feel like I wanted more or your motive. I am talking about the idea that appears in the 1st Violin in measure 5. I feel like you barely used that idea, and it had potential to be moved around to different voices, and…"
I feel like I wanted more or your motive. I am talking about the idea that appears in the 1st Violin in measure 5. I feel like you barely used that idea, and it had potential to be moved around to different voices, and…"
