Alfred La Fleur replied to Alfred La Fleur's discussion Twelve seconds composition (movie company logo)
"No worries, thanks for your suggestion. Dane Aubrun said:
Hi, Alfred,
If I might be honest, while the clip of music is nice enough I think it's too long to signal a logo. 
To me, the "Intel" chime was about right but that's very short - 4 notes.…"
Oct 13, 2020
Dane Aubrun replied to Alfred La Fleur's discussion Twelve seconds composition (movie company logo)
"Hi, Alfred,
If I might be honest, while the clip of music is nice enough I think it's too long to signal a logo. 
To me, the "Intel" chime was about right but that's very short - 4 notes.
Cheers."
Oct 12, 2020
Alfred La Fleur replied to Alfred La Fleur's discussion Twelve seconds composition (movie company logo)
"Hi Peter, ok, thanks for listening and sharing your point of view on this. Peter P. Marques said:
I think the original one sounds best. MOre of a suspension jazz cadence cliche felling. ANd that is a good thing."
Oct 10, 2020
Peter P. Marques replied to Alfred La Fleur's discussion Twelve seconds composition (movie company logo)
"I think the original one sounds best. MOre of a suspension jazz cadence cliche felling. ANd that is a good thing. Alfred La Fleur said:
Hi Gav, thanks for listening.
I like how the F# sounds when replacing the D on the very last note, it's somehow…"
Oct 10, 2020
Alfred La Fleur replied to Alfred La Fleur's discussion Twelve seconds composition (movie company logo)
"I see what you mean, you wanted to hear the intervals between notes reducing at the very end, and get to some kind of "safe spot".
I think is a matter of personal style, this one was inspired to some early 90s logos, this is the "uncertainty" vibe I…"
Oct 9, 2020
Alfred La Fleur replied to Alfred La Fleur's discussion Twelve seconds composition (movie company logo)
"Lol, I guess it is a good thing, after all. Thanks. Peter P. Marques said:
Windows feels"
Oct 9, 2020
8Rivers replied to Alfred La Fleur's discussion Twelve seconds composition (movie company logo)
"I liked it, It happens that I'm tasked with composing a logo-motion music myself but the deadline isn't pressing so I liked listening to your piece to add to my mind's encyclopedia. It's real good but if I were you I would at least terminate the…"
Oct 9, 2020
Peter P. Marques replied to Alfred La Fleur's discussion Twelve seconds composition (movie company logo)
"Windows feels"
Oct 9, 2020
Alfred La Fleur replied to Alfred La Fleur's discussion Twelve seconds composition (movie company logo)
"Ok, I will next time. I thought this one was short enough."
Oct 9, 2020
Gavin Brown replied to Alfred La Fleur's discussion Twelve seconds composition (movie company logo)
"Please also submit mp3s rather than WAVs as mp3 is the closest thing to a universal standard and is mobile-friendly -
Best to you -"
Oct 9, 2020
Alfred La Fleur replied to Alfred La Fleur's discussion Twelve seconds composition (movie company logo)
"Hi Gav, thanks for listening.
I like how the F# sounds when replacing the D on the very last note, it's somehow very professional. E sounds better than D too, but F# is spot on, well done.
The only issue I have with this is that I cannot justify…"
Oct 9, 2020
Gavin Brown replied to Alfred La Fleur's discussion Twelve seconds composition (movie company logo)
"Hi Alfred, this seems ok to me, except the last note in the upper register. It sounds odd and off key, suggest F-sharp might have been a stronger choice. It's rather long for a logo (for example a TV commercial tagline), suggest that you only need…"
Oct 9, 2020
Alfred La Fleur replied to Alfred La Fleur's discussion Need help with modern and simple piano score analysis
"Hi Bob, thanks.
Correct me if I am wrong, but as far as I learned from my jazz analysis book, in jazz music chords are often in root position, you can find "similar" things like slash chords or polychords.
Instead, in classical music, inversions can…"
Jan 29, 2017
Ingo Lee replied to Alfred La Fleur's discussion Questions about embellishments and chords in a contemporary score
"There are many ways to approach composition, improvisation is a good way.  Cubase and Finale plus a midi keyboard should allow you record and then edit your improvisations as one approach.  You can create parameters to direct your improvisations,…"
May 21, 2016
Alfred La Fleur replied to Alfred La Fleur's discussion Questions about embellishments and chords in a contemporary score
"I play piano and keyboards (on an average level), I used to work with cubase and finale.
I posted something on this forum a while ago, but I wasn't satisfied with the final results (very far from what I was thinking, even if in the right direction)…"
May 21, 2016
Ingo Lee replied to Alfred La Fleur's discussion Questions about embellishments and chords in a contemporary score
"Do you play an instrument? Are you working with scoring software or a DAW? Have you written some pieces? Like Bob says, theory only takes you so far."
May 20, 2016
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  • Welcome Alfred, hope you enjoy the forum!

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