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"Lucas, please see what is supported: https://artinfuser.com/counterpoint/docs.php?d=cp_analyse
Tuplets are not supported.
Also, in a counterpoint exercise voice should not end before the end of exercise, please see examples of every of five…"
Tuplets are not supported.
Also, in a counterpoint exercise voice should not end before the end of exercise, please see examples of every of five…"
"Then I would need to use tuplets. I'll just write another one, thanks! Alexey Arkhipenko said:
Hi, Lucas! Does music in PDF look exactly as you intended it to be? I do not mean colors and mistakes now. If music itself is as you wanted it to be,…"
Hi, Lucas! Does music in PDF look exactly as you intended it to be? I do not mean colors and mistakes now. If music itself is as you wanted it to be,…"
"Hi, Lucas! Does music in PDF look exactly as you intended it to be? I do not mean colors and mistakes now. If music itself is as you wanted it to be, then the problem is that counterpoint exercises in species 5 are supported only in time signature…"
"Musiqquinha-2.pdfCould you help me, I think I did sometthing wrong with the setings."
"Sorry for late reply, Bob! Thanks for your message.
We are not taking human out of the process here. At first, we are allowing human to do something more important and creative than just finding simple mistakes. Professor could spend his time much…"
We are not taking human out of the process here. At first, we are allowing human to do something more important and creative than just finding simple mistakes. Professor could spend his time much…"
"Stephen has some excellent points. I understand this could be a useful tool. But every time you take a human out of the music process, you make music less human. In music school we learned counterpoint, of course. Some of the exorcises involved…"
"Thanks for your detailed reply! This project is not aimed at commercial success, but if there would be, this would really be great! :)
Lazy writing is important, but I am sure that new technology cannot be a problem for students, who are serious…"
Lazy writing is important, but I am sure that new technology cannot be a problem for students, who are serious…"
"Alexey,
This appears to be a useful learning tool for students that already have a relatively good grounding in counterpoint - however, if they are relative beginners they may not be able to interpret the comments you have included in your example…"
This appears to be a useful learning tool for students that already have a relatively good grounding in counterpoint - however, if they are relative beginners they may not be able to interpret the comments you have included in your example…"
"Well, the world of sampling is full of disagreements. I've often released a piece and had someone tell me that one instrument sounded fake while another person raved about how real it sounded. One time I posted a piece with an oboe part I didn't…"
"Hi! Thanks a lot for detailed answers.
I use latest versions of sample modeling for all woodwinds and brass.
Last flute note is short, this is why it sounds strange. You can increase length of note and it will sound ok.
I uploaded NotePerformer…"
I use latest versions of sample modeling for all woodwinds and brass.
Last flute note is short, this is why it sounds strange. You can increase length of note and it will sound ok.
I uploaded NotePerformer…"
"Hi Alexey,
I was curious to listen having read the posts and I agree with Antonio about adding ambience. I do also think that Antonios' sounds are closer in timbre to the real thing, as well as the legato performance and overall feel. What sounds…"
I was curious to listen having read the posts and I agree with Antonio about adding ambience. I do also think that Antonios' sounds are closer in timbre to the real thing, as well as the legato performance and overall feel. What sounds…"
"HI, Alexey,
Yes, those are the tracks.
For note endings, I meant the last note before a silence. Look at the waveform in the files I attached and compare them to your waveforms.
I just listened to the flute sixteenth note pattern at 00:28.032 in…"
Yes, those are the tracks.
For note endings, I meant the last note before a silence. Look at the waveform in the files I attached and compare them to your waveforms.
I just listened to the flute sixteenth note pattern at 00:28.032 in…"
"Thanks for added information. So we are talking about this excerpt:
http://artportal.su/ctools/job.php?j_id=532
Here are separate tracks for each instrument:
http://artportal.su/ctools/stems.php?j_id=532
- I agree that trill sounds bad. Actually,…"
http://artportal.su/ctools/job.php?j_id=532
Here are separate tracks for each instrument:
http://artportal.su/ctools/stems.php?j_id=532
- I agree that trill sounds bad. Actually,…"
"Thanks for the fix. It does sound a lot better, but nowhere near good enough. The flute sounds artificial, particularly the trill around 0:18 and the sixteenth-note pattern I use around 0:27.Note endings seem to cut off in a mechanical way for both…"
"Antonio, thank you for using Composers Tools. I found a bug that erroneously forced all woodwind articulations to glissando, this is why your trio sounded strange I believe. I fixed that and rerun rendering - please check, I hope you like it better.…"
"Sorry, I missed seeing your reply till now.
I uploaded two test cases. One is an idea for a piano piece, The version you produced sounded nice, but I'm guessing that it was mostly due to the fact that the piano sound came from a great library. It…"
I uploaded two test cases. One is an idea for a piano piece, The version you produced sounded nice, but I'm guessing that it was mostly due to the fact that the piano sound came from a great library. It…"
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Okay, I see. Have been away for a while I will listen to your other tune (Walker) now) and be back a few thoughts or advice/opinions if I have any. Haven't had time to read the article. Will asap. Probably during this evening or tomorrow. Interesting stuff!
Btw, feel free to comment on my filmic piece about a tank-battle on Russian soil! At Kursk (not the sub) the
Wehrmacht and Red Army Tanks, met in a fierce battle. Stalin won.
(The fundamental "form" (ABABAB and sometimes a C) is there compositionwise, I just feel I want to develop it more in either a classical or hollywoodesque/Zimmer-direction). But the mix and production is what I need most feedback on, I did it in 2006.
Now listening to Walker.
By the way, I did listen to your quartet. I did not comment because I cant add any constructive comments to this style and you seem to know far more about the style than me.
leased to recommend your website. I think you should link to it on the main age. I wasnt sure how the chord or harmony analyser worked, erhas you could exlain it as it looks very interesting.
Listening to run now. But here on your page. (Are they different compositionwise?)
This mix of woodwinds is more realistic than Adrian's, they're all in the same hall.
On this quick listen (I was captivated by the compostion!) I didn't listen for subtler mix-issues and have to leave for a few hours soon.
Did you use expression and ks?
A very intersteing piece and I enjoyed it and will return for more listens!
Its build-up is truly professional to my ears. Well done!
Very interested in variety of music you.
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