Alexey Arkhipenko replied to Alexey Arkhipenko's discussion Learn counterpoint with automatic counterpoint exercise analyser
"Lucas, please see what is supported: https://artinfuser.com/counterpoint/docs.php?d=cp_analyse
Tuplets are not supported.
Also, in a counterpoint exercise voice should not end before the end of exercise, please see examples of every of five…"
Jun 15, 2019
Lucas Oliveira Krumenaur replied to Alexey Arkhipenko's discussion Learn counterpoint with automatic counterpoint exercise analyser
"Then I would need to use tuplets. I'll just write another one, thanks! Alexey Arkhipenko said:
Hi, Lucas! Does music in PDF look exactly as you intended it to be? I do not mean colors and mistakes now. If music itself is as you wanted it to be,…"
Jun 14, 2019
Alexey Arkhipenko replied to Alexey Arkhipenko's discussion Learn counterpoint with automatic counterpoint exercise analyser
"Hi, Lucas! Does music in PDF look exactly as you intended it to be? I do not mean colors and mistakes now. If music itself is as you wanted it to be, then the problem is that counterpoint exercises in species 5 are supported only in time signature…"
Jun 14, 2019
Lucas Oliveira Krumenaur replied to Alexey Arkhipenko's discussion Learn counterpoint with automatic counterpoint exercise analyser
"Musiqquinha-2.pdfCould you help me, I think I did sometthing wrong with the setings."
Jun 14, 2019
Alexey Arkhipenko replied to Alexey Arkhipenko's discussion Learn counterpoint with automatic counterpoint exercise analyser
"Sorry for late reply, Bob! Thanks for your message.

We are not taking human out of the process here. At first, we are allowing human to do something more important and creative than just finding simple mistakes. Professor could spend his time much…"
Jun 13, 2019
Bob Porter replied to Alexey Arkhipenko's discussion Learn counterpoint with automatic counterpoint exercise analyser
"Stephen has some excellent points. I understand this could be a useful tool. But every time you take a human out of the music process, you make music less human. In music school we learned counterpoint, of course. Some of the exorcises involved…"
Jun 8, 2019
Alexey Arkhipenko replied to Alexey Arkhipenko's discussion Learn counterpoint with automatic counterpoint exercise analyser
"Thanks for your detailed reply! This project is not aimed at commercial success, but if there would be, this would really be great! :)

Lazy writing is important, but I am sure that new technology cannot be a problem for students, who are serious…"
Jun 5, 2019
Stephen Lines replied to Alexey Arkhipenko's discussion Learn counterpoint with automatic counterpoint exercise analyser
"Alexey,
This appears to be a useful learning tool for students that already have a relatively good grounding in counterpoint - however, if they are relative beginners they may not be able to interpret the comments you have included in your example…"
May 28, 2019
Antonio Freixas replied to Alexey Arkhipenko's discussion Get your music performed by realistic virtual instruments online at Artinfuser Studio
"Well, the world of sampling is full of disagreements. I've often released a piece and had someone tell me that one instrument sounded fake while another person raved about how real it sounded. One time I posted a piece with an oboe part I didn't…"
Jan 21, 2018
Alexey Arkhipenko replied to Alexey Arkhipenko's discussion Get your music performed by realistic virtual instruments online at Artinfuser Studio
"Hi! Thanks a lot for detailed answers.
I use latest versions of sample modeling for all woodwinds and brass.
Last flute note is short, this is why it sounds strange. You can increase length of note and it will sound ok.
I uploaded NotePerformer…"
Jan 21, 2018
Mike Hewer replied to Alexey Arkhipenko's discussion Get your music performed by realistic virtual instruments online at Artinfuser Studio
"Hi Alexey,
I was curious to listen having read the posts and I agree with Antonio about adding ambience. I do also think that Antonios' sounds are closer in timbre to the real thing, as well as the legato performance and overall feel. What sounds…"
Jan 21, 2018
Antonio Freixas replied to Alexey Arkhipenko's discussion Get your music performed by realistic virtual instruments online at Artinfuser Studio
"HI, Alexey,
Yes, those are the tracks.
For note endings, I meant the last note before a silence. Look at the waveform in the files I attached and compare them to your waveforms.
I just listened to the flute sixteenth note pattern at 00:28.032 in…"
Jan 21, 2018
Alexey Arkhipenko replied to Alexey Arkhipenko's discussion Get your music performed by realistic virtual instruments online at Artinfuser Studio
"Thanks for added information. So we are talking about this excerpt:
http://artportal.su/ctools/job.php?j_id=532
Here are separate tracks for each instrument:
http://artportal.su/ctools/stems.php?j_id=532

- I agree that trill sounds bad. Actually,…"
Jan 20, 2018
Antonio Freixas replied to Alexey Arkhipenko's discussion Get your music performed by realistic virtual instruments online at Artinfuser Studio
"Thanks for the fix. It does sound a lot better, but nowhere near good enough. The flute sounds artificial, particularly the trill around 0:18 and the sixteenth-note pattern I use around 0:27.Note endings seem to cut off in a mechanical way for both…"
Jan 20, 2018
Alexey Arkhipenko replied to Alexey Arkhipenko's discussion Get your music performed by realistic virtual instruments online at Artinfuser Studio
"Antonio, thank you for using Composers Tools. I found a bug that erroneously forced all woodwind articulations to glissando, this is why your trio sounded strange I believe. I fixed that and rerun rendering - please check, I hope you like it better.…"
Jan 20, 2018
Antonio Freixas replied to Alexey Arkhipenko's discussion Get your music performed by realistic virtual instruments online at Artinfuser Studio
"Sorry, I missed seeing your reply till now.
I uploaded two test cases. One is an idea for a piano piece, The version you produced sounded nice, but I'm guessing that it was mostly due to the fact that the piano sound came from a great library. It…"
Jan 20, 2018
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  • Okay, I see. Have been away for a while I will listen to your other tune (Walker) now) and be back a few thoughts or advice/opinions if I have any. Haven't had time to read the article. Will asap. Probably during this evening or tomorrow. Interesting stuff!

    Btw, feel free to comment on my filmic piece about a tank-battle on Russian soil! At Kursk (not the sub)  the 

    Wehrmacht and Red Army Tanks, met in a fierce battle. Stalin won.

    (The fundamental "form" (ABABAB and sometimes a C) is there compositionwise, I just feel I want to develop it more in either a classical or hollywoodesque/Zimmer-direction).  But the mix and production is what I need most feedback on, I did it in 2006.

    Now listening to Walker.

  • By the way, I did listen to your quartet. I did not comment because I cant add any constructive comments to this style and you seem to know far more about the style than me.

  • pleased to recommend your website. I think you should link to it on the main page. I wasnt sure how the chord or harmony analyser worked, perhaps you could explain it as it looks very interesting.
  • In what way is expmaps (for ewql?) faulty in cubase? I drew the expcurve manually last time i used ewql (which is not often) and ut sounded ås ut should. Typos- writing on my phone. Will listen to the oter piece when I return!
  • Listening to run now. But here on your page. (Are they different compositionwise?)
    This mix of woodwinds is more realistic than Adrian's, they're all in the same hall.
    On this quick listen (I was captivated by the compostion!) I didn't listen for subtler mix-issues and have to leave for a few hours soon.

    Did you use expression and ks?

    A very intersteing piece and I enjoyed it and will return for more listens!
    Its build-up is truly professional to my ears. Well done!

  • Very interested in variety of music you.

  • Just listened to Dark Crusade. There is much to like here, Alch. It sounds like it would work very well on real instruments. and you did a nice job with the midi realization. I'll check out more of it later. Don't be discouraged, there is a lot to listen to on this forum, and it sometimes takes awhile for people to catch up with you. Hell, people hardly ever comment on my music, but that doesn't bother me. I like it, and you have every reason to like yours.

  • Welcome to the Composers' Forum

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