This is my latest work - in Light Classical mode (like Reflections).

 

Soundcloud file created in Sibelius 6 with inbuilt sounds plus some reverb, etc

Score attached below, for those who prefer or need it when listening

Score still needs tidying up (e.g. removing slurs and keeping bowing), but should be more than suitable for viewing.

Comments welcome.

You need to be a member of Composers' Forum to add comments!

Join Composers' Forum

Email me when people reply –

Replies

  • Tidied up score now attached

    Transitions_FullScore.pdf

    https://storage.ning.com/topology/rest/1.0/file/get/8608138491?profile=original
  • Hello David -

    I so want to see your score - I've loved every piece you've ever posted and I imagine I'll feel the same about this one.  I'm one of those, as you know, who needs the score.   I can't seem to open the .pdf file here; can't even copy it to my desktop to open.  Usually I don't have any problem.  Any ideas?

    I like what I hear so far.  I do have a question however.  All the string players I've worked with don't want composers to mark bowing.  They want phrasing, but not bowing.   I'm curious why you removed the phrasing but kept the bowing?  At least I guess that's what you meant when you said you removed the slurs ...  Without the score, I'm not sure.  Forgive my ignorance if I've totally misread you.

  •  I can't seem to open the .pdf file here; can't even copy it to my desktop to open.  Usually I don't have any problem.  Any ideas?

    I can open the PDF both on my Vista laptop and on my iPad.

    I like what I hear so far.  I do have a question however.  All the string players I've worked with don't want composers to mark bowing.  They want phrasing, but not bowing.   I'm curious why you removed the phrasing but kept the bowing?  At least I guess that's what you meant when you said you removed the slurs 

    Actually what I've left could probably be seen as phrasing.

  • Hello David, 

    I'm a fan of classical romanticism so this was a real treat for me. Very pretty. 

    It was a little difficult to follow just listening to the audio file but I guess right now a proper score is your main concern. 

    I have the LASS First Chair library and all the LASS libraries only require the free Kontakt player not the full version. 

    Phil

  • THoughtful start, ease and contemplation. Then at around 1:10 I get reminded (a little) of Romantic era composers, Rheingold by Wagner - the ouverture to that opera - features some interesting strings in this manner, you probably heard it.

    Very pretty around 3:20, and the crescendo around 4 is just right before the ending.

    Very nice!

  • Score?  As I hear in the opening few 15 seconds the danger is it may sound far thicker and muddier than the computer realization. If I saw a score it would be easier to determine.

     

    Otherwise I like some of the counterpoint with the strings and the nice switches to diminished chords and suddenly these major minor progressions suggestion a more modal flavor (about :30 - 2:00, and on and off afterwards).  There is some "light classical" in that I do hear some Mendelssohn like string writing sparingly (2:00 - 2:12). Check around 2:15 - 2:16 I heard a few dissonances which were completely out of character - more like a mistake.

     

    About 3:47 - to 4:01 it seems you are searching for a cadence. you do some strong cadential resolutions so much that the digressions sound like the piece is just too long, I like the digressions but if each were a bit more cohesive and you found a way to lessen the strength you arrive at one or two cadences then this section would work better.

     

    So, with a little more work this would be quite stellar. Right now it strikes me as a final draft that would benefit from a live performance if you can. Otherwise, see what others say and sing your lines as you play others to check if all you wrote is what you intended or you figure out something better in a few spots.

  • I really liked this piece. It was almost Elgar like. Imagine what it would sound like not only using LA Strings but if performed by an orchestra!
  • My intention was always to provide a version using VSL and/or EWQL (as I have both sample libraries). Other commitments at the time of the original posting meant I was unable to devote time to the task.
    And then, for the last three weeks, I have been in hospital(s) and have had no access to computers. (I know, excuses, excuses)
    Now that I am back home, and pretty much confined there until I can retrain my feet to function as feet again, I can devote time to providing more decent realisations of the score.
This reply was deleted.