The Gentleman (Part I.)

[Fabio Biolcati]

Guess who is he?

The Gentleman (Part I.)

Recording is from virtual rehearsals (read: straight from notation software).
Plans are to set it up it in Reaper later, to add some shading to the performance,
especially for the Double Bass part.

[Dane Aubrun]

Hi, Fabio, and firstly, happy and creative new year to you!

I couldn't even guess who the gentleman is.

But what a lovely sound. Tranquil; ethereal, late night-like.  Only problem, it ran out all too quickly. It could have gone on much longer! 

You certainly made something of the bass clarinet sound with the vibraphone just a hint in the background at the start.

Just a thought that the bass could be a touch more emphatic. You said you'd be looking at that in the daw anyway.

A lovely piece to listen to, especially last night once the celebrations damped down a little!

Cheers,

Dane.

.

[Saul Gefen]

Fabio,

This is an imaginative and very relative piece, I really like those bells that you have used. The feeling is of a city life, a mysterious atmosphere, very urban in nature.

I would agree with Dane that the piece ended too quickly, but of course it may be elaborated and continued if you want.

Regards 

[Tillerich]

George Gershwin?

[Timothy Smith]

 This is holds a very appealing sense of mystery to my ears. I would not have guessed it came from notation software. Sounds quite good from here! 

[Fabio Biolcati]

Thank you all for listening and commenting.

To reassure those who wish “The Gentleman” being longer, I just finished to lay out Part 2 and 3.
While almost completed, I'm not sure about their order in the program, nor to merge them into a single piece.

The New Year started very creatively: a two-part work for viola and small orchestra, a romanza (serenata?) for strings…
must find a place for The Unknown Guy to rest.

Cheers