Thank You Charles for your kind words. I also prefer the first version! you're right, it's more "luminous." I wanted it to have an impressionistic feel to it, and the first version captures that better. I listened to your piano and organ pieces and very much liked them. Especially "Le Jeune" and "Poeme." some very interesting and lovely harmonic progressions and unusual twists of melody. At times made me think of Debussy. Nothing lovelier, in my mind, than Debussy's solo piano music. (Hoping you take that as a compliment).
It sounds as if you're having fun while composing. That is a great thing to be able to communicate. And your music is very well though through and an absolute treat to listen to. I especially enjoyed the "Poeme" which seams to come from nothing and then spread out further and further. A fine piece indeed.
Thanks for the comments Charles, glad you like what you've heard of mine. I'm in the process of scoring Opus #13 which should help massively with the expression when I come around to re-recording. Thanks again for listening.
I am delighted to have you as a friend. Moreover.. I really like your music.
Very nice modulations, but what is even more important ( which somehow, peole don´t discuss so much) is the coherence of the music within a piece. And you gor it right there!
Regards
Johan
At 12:40pm on December 26, 2011, Javier Lynch said…
Thank you Charles! I enjoyed listening to your music too, and I could tell you are a very good performer as well.
I got a kick out of hearing your entertaining version of Monti's Csárdás.
I've some Magyar blood, so I've known it all my life. I looked up Vittorio Monti - from Napoli, Italia. It seems that this work was it for him. You treated the work respectfully, and extravagantly, at the same time.
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Thank You Charles for your kind words. I also prefer the first version! you're right, it's more "luminous." I wanted it to have an impressionistic feel to it, and the first version captures that better. I listened to your piano and organ pieces and very much liked them. Especially "Le Jeune" and "Poeme." some very interesting and lovely harmonic progressions and unusual twists of melody. At times made me think of Debussy. Nothing lovelier, in my mind, than Debussy's solo piano music. (Hoping you take that as a compliment).
thank you Charles. It's good to be back composing, I guess, for us, musicians, the sound is our best way to express our deepest feelings :)
It sounds as if you're having fun while composing. That is a great thing to be able to communicate. And your music is very well though through and an absolute treat to listen to. I especially enjoyed the "Poeme" which seams to come from nothing and then spread out further and further. A fine piece indeed.
Thanks for the comments Charles, glad you like what you've heard of mine. I'm in the process of scoring Opus #13 which should help massively with the expression when I come around to re-recording. Thanks again for listening.
Hi Charles,
Thank you for listening my music. Autumn is actually in major keys, but I intended to make it sounds somewhat "sad". :)
I also enjoy your music. They are wonderful!
thank you for your kind words, I must admit I was very relaxed by your muisc :) liked Musical Snuff-Box :P
Hello Charles,
I am delighted to have you as a friend. Moreover.. I really like your music.
Very nice modulations, but what is even more important ( which somehow, peole don´t discuss so much) is the coherence of the music within a piece. And you gor it right there!
Regards
Johan
Thank you Charles! I enjoyed listening to your music too, and I could tell you are a very good performer as well.
Best wishes!
I got a kick out of hearing your entertaining version of Monti's Csárdás.
I've some Magyar blood, so I've known it all my life. I looked up Vittorio Monti - from Napoli, Italia. It seems that this work was it for him. You treated the work respectfully, and extravagantly, at the same time.
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