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I made an example of a piece with help of Steinergs Halion orchestra and some other samples to a solist, and excused me for lack of dynamics in the soloparts. The solist though, wouldn't have anything to do with that recording, just the ordinary old fashion paper was interesting...OK, but lately I have listened very careful to filmmusik I really liked, produced with samples...and they get better and better all the time. Nothing though can replace the naural sound an human interpretation, that's why we are going to keep the orchestra-maschine alive for ever, isn't it? I love to mix those worlds. Is that a question of quality??

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