My latest thrill is listening to Mountain's Nantucket Sleighride- mostly fantastic album, with a heaviness that swings, unlike later metal bands. Beethoven's 6th is sounding better and better as I get older. It's full of the usual cleverness, but without the bombastic quality, although he still plays the hero. I think it shows his best sense of 'balance' in terms of lengths of sections, lengths of moods and emotions. The way he slowly morphs one section into another is beautiful and works in an abstract way. It feels like an adventurous discovery- the way the arrangements evolve. I think now it is actually surpassing the 9th, for me.