Music Composers Unite!
Added by Kristofer Emerig on November 13, 2016 at 4:00am — No Comments
Added by Kristofer Emerig on November 11, 2016 at 1:30pm — No Comments
Sorry, this is just .. strange.
Recently premiered in Chicago!
Added by Joseph Harry on November 1, 2016 at 4:30pm — No Comments
Not the most up-to-date version, but this is an old piece anyway.…Continue
Recently, I revisited Tallis's Lament. I've been stuck on it for days, one of those strange funks where you've got something on a loop and can't seem to stop listening to it.
Anyway, although this music is in no way explicitly related to Tallis's work, outside of the fact that he's had a profound impact as a composer on my writing, somehow I suspect his lament has inspired or influenced the work presented here, in some nebulous way.
Speaking of matters…Continue
Added by Kristofer Emerig on October 25, 2016 at 9:00pm — No Comments
I'm not in a talking mood I suppose.
Organ Fantasy #5
Added by Kristofer Emerig on October 18, 2016 at 4:00am — No Comments
Maybe I'll write something about this one day.. but not this day.
Added by Kristofer Emerig on October 17, 2016 at 7:38pm — No Comments
Added by roger stancill on October 13, 2016 at 8:58am — No Comments
consists of the following pieces:
3. Two guitars
4. Flying Objects
7. quasi una Flamenco
8. It's not over!
Added by Slava Fiks on October 8, 2016 at 1:18pm — No Comments
And hete is some electronic music inspired by milonga dance. It´s just too fast so I named it "Supersonic Milonga".
Added by Martin Horky on October 6, 2016 at 1:20pm — No Comments
These days I listened too much tango music and tried to mix it with some other music genres. This is my view on classical string quartet spiced with a pinch of drums playing gentle almost-tango (or pseudotango).
Added by Martin Horky on October 5, 2016 at 2:12pm — No Comments
This is, tentatively, the last installment in the Dark Matters in Mirrors collection, a project spanning about the last five years or so.…Continue
I had to turn right around and write another fugue, otherwise the first item, and in all likelihood the last, heard on my Soundcloud stream would be Ferneyhough's Boogie Voogie.
Well it seemed a good enough excuse. This, like so many of my more recent writings, is a mixture of Ionian, Aeolian, and Phrygian modes, as well as a few others with glances at chromaticism as well. With no bridge, close imitation often in stretto, this is a structurally archaic style of fugue adorned with…Continue
Added by Kristofer Emerig on September 23, 2016 at 7:00pm — No Comments
After a hiatus of a couple of years, I thought to work out this double fugue. What better way to get into the swing of things than an intensive excursion into double counterpoint, and while it's a crucial technique in "standard" fugues and inventions, it's an almost perpetual necessity in the double fugue. There's an urgency in the mechanics of the writing which translates into a good deal of forward momentum in the resulting…Continue
Added by Kristofer Emerig on September 23, 2016 at 6:44pm — No Comments
As much as I enjoy and admire great musicians performing on piano I simply do not usually equate complete composition as being solely performed on one. So when someone posts a tune with the header: This for piano or That for piano I tend not to even bother listening.
Now it could be, the member posting said tune has no other way of providing a recording other than piano and in that case, I note that in recent times there seems little advice being given here in the forum on the basic…Continue