I'd be interested. I currently use Sibelius for writing and playback and would be interested in any tips and tricks you might have to make playback sound better. I use East-West with Sibelius but am considering others like VSL and…"
I really enjoyed listening to this piece. I agree with Gav about the sitar feel. Meditative almost. Interesting mix of instruments and style. A harmonica would have really sent it over the edge for envisioning the cattle. Thanks for writing…"
"There's a number of factors at work, all colliding in a somewhat "perfect storm" situation.
First factor, we have the current business model of symphony orchestras, which are typically non-profit organizations relying on both…"
"Thank you! I hope you will give a listen and tell me what you think sometime. Just listening to your Fantasy for the Pink Piano (the title caught my eye). Very very nice! Love the various moods you evoke in this piece."
I just listened to "Lament" and love it! Gorgeous harmonic textures in a very picturesque setting. I'll listen to it more over the weekend and give you more in-depth feedback.Good work! A beautiful piece.
"Hi Chris: I just wanted to let you know how much I've enjoyed listening to your song "One Torch". I think you have a hit in that one. I played it for my 13 year old son a couple of weeks ago and he's been listening to it…"
Thank you for listening! I'm a little nervous being here, as I don't feel like a composer in the traditional sense. My background as a classically trained flutist with symphony orchestras does influence my music, but the rest comes…"
Got a chance to hear your S2M1 piece. Even over one inch speakers it is a good listen. Particularly like the rhythm figures and spirited instrument combinations. Looking forward to run the list as I can during the rest…"
"Thanks Robert. I'm glad you like the Finale. If you are possibly intrigued by it, you might find a lot of questions answered in the previous 3 movements. With reference to the EW Samples, I'm making good use of them now,…"
"Hi Robert - I'm listening to "Not Rest In" and love the restless back and forth between all the instruments and the recurring pulsing theme which serves to unify this very well-written piece. Where did you learn to orchestrate?…"
What have you composed for? Or what medium do you work around?
What is your favorite genre or style of music?
No favorite genre, but particularly like music similar to Copland's Concerto for piano and orchestra. Vaughn Williams also a favorite. Current favorites: Eric Whitacre's "October" & "Equus", John Adam's "Hallelujah Junction", Elena Kats-Chernin's "Piano Concerto II", Karl Jenkin's "Stella Natalis" and Steve Reich's "Desert Music"
Is music your main income source?
No - Not at all.
Where do you live?
Bolinas, California - a beautiful yet odd town next to the Sea
About Me (Must include biographical information about you as a composer):
I learned about music from classes with Helen Keaney in Boston.Typically get up at 5AM to write music for a couple of hours, then head off to my "day job" where I manage a large architectural office in San Francisco.
Comment Wall (31 comments)
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Yes, things are good this end. I'm busy with my day job so I get little time to compose but I satisfy my music passion studying and learning more about mastering audio. It takes relatively little time to do. Now, mixing audio is a different proposition as it does need time and lots of it.
Hello - Glad that you enjoyed the recording. Glad more-so that the feedback helped you decide that it was not a waste time to write and post the composition. It really is a lovely piece that you came up with and Im sure that Im not the only person who enjoyed it (I recall that Mr. Zinos gave the piece a few nice words in his comments).
My own sense on composing is that I do it because I enjoy the process of creating and structuring music and I enjoy listening to the results. I decided to post my stuff on the off chance that there may be other folks out there who may enjoy it as well. If there are, wonderful. If there aren't, nothing lost because I still enjoy creating it and listening to it myself.
Your music had actually caught my attention before the contest likely because we seem to share some of the same musical influences (Copland and Reich). I was not too surprised to learn that A&O was your piece.
Regarding the mando,I stopped playing about a year and a half ago after being a member of the Milwaukee Mandolin Orchestra for about 20 years. The Orchestra is wonderful - if your'e curious, just do a YouTube search on "Milwaukee Mandolin Orchestra." After 20 years, however, the repertoire wore a bit thin for me. The Orchestra, for the most part, plays music from the very early 20th Century - rags, fox trots, marches, light classical etc. Lovely music, but not the most challenging or engaging. I had been offering for years to work up a mando orchestra arrangement of Igor Stravinsky's Tango for piano. That was a little too "modern" for groups tastes however.
Thanks again for sharing your music and keep at it. I look forward to hearing more. All the best - Thomas Gaudynski (I use my initials on the site rather than my full first name because oddly enough I am not the only Thomas Gaudynski in Milwaukee who plays music and composes. The other Thomas Gaudynski from Milwaukee is a sound/performance artists whose work is more experimental and improvisational than mine. Even though we have a few musical friends in common, weve never met. Small world, but not that small I guess).
Greetings from Milwaukee. Ive taken a few listens to the pieces you have posted and I enjoy your music very much. I was quite impressed by your submission in the recent Two Part Invention contest. In addition to being quite melodic and musical, yours was one of the few pieces that did not simply attempt to do a Bach imitation. Your piece actually inspired me to do something I have not done for more than a year; I dug out my mandolins and started practicing. I thought that Apple and Oranges would sit very nicely on the mandolin so out of curiosity, I recorded the piece as a duet for mandolin and octave mandolin. The finished product is attached. Im by no means a pro, nor am I the most expressive player, in the world, but I thought you might be interested in how the piece sounds on mandolin. I did modify the bass part just a bit (raised a few measures up an octave) simply to keep the part within the "sweet spot" for the octave mando. Other than that, I attempted to play the piece as written. Thank you for sharing your wonderful music. I look forward to hearing more of your work posted! Apples and Oranges by Robert Hunter.mp3
Robert, once again you display your incredible talent for back and forth themes thrown around in different instruments. This is truly one of your best, from the beautiful opening chords to the passage through many moods and the depth and quality of your instrumentation. Love it! What are you using by the way?
Quite excellent music. Being a manager of a architectural office, your abilities as architect and manager must perform a role in your life as a composer, because your music appears to be well-engineered and well-manged.
Thank you! I hope you will give a listen and tell me what you think sometime. Just listening to your Fantasy for the Pink Piano (the title caught my eye). Very very nice! Love the various moods you evoke in this piece.