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Michael Staff
  • Male
  • Idyllwild, CA
  • United States
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Michael Staff's Discussions

Concert Piece

Started this discussion. Last reply by Michael Staff May 29, 2011. 2 Replies

This piece started in Sonata-allegro form but gradually evolved into a fantasy-like piece. Does it work from the listener's view? Do the themes lend themselves more toward a stricter form? Have I…Continue

 

Michael Staff's Page

Latest Activity

Tombo Rombo left a comment for Michael Staff
"Just listened to your Somnambulist piece.  Very enjoyable!  From the sound of the page turn in there it seems you actually played it as well, which is certainly refreshing round these parts.  Very consistent, solid, entertaining…"
Jan 20, 2012
Michael Staff replied to Michael Staff's discussion Concert Piece
"Thanks guys! I appreciate your feedback very much. I recorded it at Jungle Room studio which is in Los Angeles but since then Ive purchased a Tascam DP-02 digital portastudio (I highly recommend one) and I always use 2 mics when I record (one…"
May 29, 2011
Doug Lauber left a comment for Michael Staff
"Interesting music. I appreciate your performance ability."
May 28, 2011
Peter Daley commented on Michael Staff's blog post First Fugue
"First fugue, go ahead with the challenge :-). I've been on and off working on one myself."
May 25, 2011
Peter Daley left a comment for Michael Staff
"Hi Michael, thanks for the friend request. I like Dreams of a Somnambulist composition. I want to study a little more in the 12 tone genre, starting with piano then moving on to an ensemble. How did you get started in music?"
May 25, 2011
Tyler Hughes replied to Michael Staff's discussion Concert Piece
"Its a very good piece of music. I dont feel that the themes lend themselves to a very strict form, though the themes themselves can go either which way in this case. There were some moments that were had a very mysterious quality which I enjoyed…"
May 23, 2011
Michael Staff posted a discussion

Concert Piece

This piece started in Sonata-allegro form but gradually evolved into a fantasy-like piece. Does it work from the listener's view? Do the themes lend themselves more toward a stricter form? Have I evoked any emotional response in the listener?
May 23, 2011
Michael Staff posted a song

 play Dreams of a Somnambulist - Michael Staff

Intermezzo
06:28
May 23, 2011
Michael Staff replied to James Wise's discussion The end of the research period...
"Have you thought of using several shorter movements to form a sort of suite? Ive found this lends itself to 12-tone music as in music by Schoenberg. How long is the composition supposed to be?"
Apr 21, 2011
Michael Staff commented on Michael Staff's blog post First Fugue
"Thanks for your experience! I always enjoy hearing about other composer's experiences and I'll also definately check out Hindemith's fugue mentioned"
Apr 6, 2011
Ansgar Kreutz commented on Michael Staff's blog post First Fugue
"if you interested in more "modern" fugues, you should study "Ludus tonalis" from Hindemith"
Apr 4, 2011
Paul Smith commented on Michael Staff's blog post First Fugue
"I never studied fugue formally, unless listening to endless hours of Bach's fugues qualifies as actual 'study', which, of course, it DOESN'T...So when the day at last came not too long ago when I decided to try to write a proper…"
Apr 4, 2011
Peter Daley commented on Michael Staff's blog post First Fugue
"Great to see you exploring various musical styles."
Apr 2, 2011
Michael Staff commented on Michael Staff's blog post First Fugue
"I've actually already written the exposition as of this morning but there seems to be little direction as far as the episodic development. Nowhere have I read about a recapitulation or conclusion to the fugue."
Mar 28, 2011
Michael Staff commented on Michael Staff's blog post First Fugue
"I studied counterpoint for 2 years early on in my studies but know only a little about Messiaen. I have written canons, inventions, and other polyphonic works but a fugue is more complex and my intention is to use it as a movement for a larger work.…"
Mar 28, 2011
Ansgar Kreutz commented on Michael Staff's blog post First Fugue
"what experiences or studies do you have in counterpoint? do you know the meaning of Messiaen about the importance of fugue for music of today?"
Mar 27, 2011

Profile Information

What have you composed for? Or what medium do you work around?
Small Ensemble
What is your favorite genre or style of music?
Classical, Serious, Contemporary
Is music your main income source?
Sort Of - Music Related
Where do you live?
Idyllwild, CA, USA
About Me (MUST be more than 10 words to be approved):
The majority of my works are for solo piano which I perform myself, and occassionally for chamber and orchestra. Although my music is not truly atonal, I experiment with multitonality and chromaticism in much of my music.

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First Fugue

Posted on March 24, 2011 at 11:33am 10 Comments

Im just starting my first fugue as a project in counterpoint. Does anyone have any experience in this area who could offer some suggestions before I get started (since all I have at this point is my subject)?

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At 3:00pm on January 20, 2012, Tombo Rombo said…

Just listened to your Somnambulist piece.  Very enjoyable!  From the sound of the page turn in there it seems you actually played it as well, which is certainly refreshing round these parts.  Very consistent, solid, entertaining composition.  Bravo!

At 7:02am on June 6, 2011, Peter Daley said…

Hi Michael,

I started by playing in piano/keys/Hammond organ in my local church, Bethel United, Apostolic Pentecostal Church. It was a hard slog as the competition was great but healthy. My training started there, I learned to play by ear, improvisating, arranging, playing hymns, conducting, MDing, even leading the choir and vocal training. I soaked it all in and immersed myself in music as much as i could. I spent hours practicing everyday and was encouraged to got to college and university. There were many discouraging times but i persevered as i new that music was and is what i want to do. I have a degree in Composition where i learned orchestration and writing for various instruments/ensembles, such as string quartets, big-band, running a gospel choir and incorporating horn sections and even eastern instruments, as well as African idioms into my music. I like to cross genres when composing and producing wherever possible, as it brings out new flavours all the time. I have a Masters in World Music which involved studying various kinds of music genres, Cross Cultural Studies & Music Philosophy; oh and loads of assignments...but i'm glad i did it in the end :-). I work with a variety of artists/groups/projects/organizations now nationally and internationally. I've just produced an EP for http://gershombrown.com another artist on my record label http://anotherkeyrecords.com.

Currently i'm working with an African writer who is writing a play to be shown in theaters from September 2011 and I'm working with an international artist on a Jazz/R&B project, plus a bit of teaching- i like to keep busy.

 

What future projects do you have coming up, or planning?

At 12:47pm on May 28, 2011, Doug Lauber said…
Interesting music. I appreciate your performance ability.
At 7:45am on May 25, 2011, Peter Daley said…
Hi Michael, thanks for the friend request. I like Dreams of a Somnambulist composition. I want to study a little more in the 12 tone genre, starting with piano then moving on to an ensemble. How did you get started in music?
At 3:38pm on March 22, 2011, Tyler Hughes said…
Welcome to the Composers' Forum
 
 
 

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