"Very nice melody! I would add some variance to the tempo map and play with the note velocities a bit. It’s a bit too mechanical as it is now IMO. You night want to add a bit more reverb as well. As others have stated, the left hand needs some…"
This has a pleasant sound! I think the only thing which struck me as being off is that the ending doesn’t strike me as an ending so much - it feels like you just stop playing. I would suggest adding some kind of final cadence, or if…"
"I like this, you set a nice typical accompaniment pattern with a sweet melody, very well done but I think at measure 32 you have an opportunity to follow that opening with some development that would be very welcome. After exploiting those…"
"Really liked this a lot! The big block chords are so proclamative and strong, like a big march.
Personally, I would have loved a deconstruction within, exploring what lies in the piece beyond it’s big-ness. Would also allow for more melodic…"
"I enjoyed this, and I feel this music conveys the mood of "unrequited" very well, but for myself Id really like to see a few small changes in the left hand. The melody part gets developed, but the left hand seems to remain the same…"
I'm not a big piano fan. What would really make this piece for me would be to fade some strings in before the melody comes in. Plus not leaving the melody up so high all the time. I believe these two things would help enhance the…"
What have you composed for? Or what medium do you work around?
Film, Television, Small Ensemble, Songs
What is your favorite genre or style of music?
Is music your main income source?
No - Not at all.
Where do you live?
About Me (Must include at least one paragraph of biographical information about you as a composer) - blank or minimal answers on this line will cause your request to be rejected. Include a link to your website if you have one.
Amateur composer exploring musical expressionism, inspired by Clint Mansell, Brahms, Max Richter, Dustin O'Hollaran, Hans Zimmer, and Richard Clayderman amongst others.
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