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H. S. Teoh
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H. S. Teoh's Friends

  • Mike Hewer
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H. S. Teoh's Discussions

Heat: the melting of an icecube

Started this discussion. Last reply by Mike Hewer Feb 9. 21 Replies

It's kinda late for this, but I've been wanting to do this yet never got around to it until now.  This is my contest entry for last year's Heat contest.  It didn't win any awards, but I'm not exactly…Continue

Noises in Two Voices: a fugue in D

Started this discussion. Last reply by gregorio X Feb 2. 24 Replies

Fugues have a reputation of being "serious" -- "academic" fugues, that is, meaning the rigid, dry grading standard of counterpoint class imposed upon composition students -- so I thought, what about…Continue

A fugue in 1 voice? Ludicrous!

Started this discussion. Last reply by Serenity Laine Jan 15. 47 Replies

Recently I noted that all 3 of my fugue attempts have been in 4 voices, and so I started sketching a 2-voice fugue instead.  While doing that (which will be a separate piece, btw), a crazy idea…Continue

Fugue in C# minor

Started this discussion. Last reply by H. S. Teoh Dec 19, 2016. 60 Replies

Continuing in this quarter's fugue fever, here's another attempt at fugue from l'il ole me.My last fugue elicited a comment that if I was going to break conventions, it should be up front. While I'm…Continue

 

H. S. Teoh's Page

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Latest Activity

H. S. Teoh replied to Mike Hewer's discussion 3 Preludes and..wait for it...FUGUES- Extended with 3 more
"Just listened to no.4 on A twice. I liked the prelude, it has a very jazzy rhythm and even style, esp. in the opening bars. The fugue I found difficult to follow on listening, but I was quite impressed by the structure looking at the score.  I…"
yesterday
H. S. Teoh replied to Mike Hewer's discussion 3 Preludes and..wait for it...FUGUES- Extended with 3 more
"Listened to no.3 on B, prelude twice and fugue 3 times.  The prelude sounds rather similar to some of my own past improvisations on the whole tone scale (and its derivatives).  I found the fugue rather difficult to follow, because the…"
Wednesday
H. S. Teoh replied to Mike Hewer's discussion 3 Preludes and..wait for it...FUGUES- Extended with 3 more
"Listened to no.2 on G again.   Well, I've already said this before, but I did find the pauses in the fugue somewhat disruptive to the flow of the music. But of course, that's just from my biased POV with my expectations of what a…"
Wednesday
H. S. Teoh replied to gregorio X's discussion Nocturne in Fugue in B minor (first draft)
"Wow. You've got a nice subject and lots of fun stuff going on here... can't say very much now 'cos I feel like I need to listen to it several more times to pick out all of the little tricks you put in there.  Very nice indeed.…"
Tuesday
H. S. Teoh replied to Mike Hewer's discussion 3 Preludes and...wait for it...FUGUES..wayhaay
"Mike, when can we hear more of your set of preludes + fugues? (hint, hint, nudge, nudge) :-P"
May 21
H. S. Teoh replied to Kristofer Emerig's discussion Ah, what the hell.. more Fuguelectronica with Prolation Technique and Cheesy Rhythm Track, aka, Kontrapunktus Funktus et Krunktus
"Whoa. Whoa. At first I didn't understand the example, but when it finally dawned on me... whoa. My mind is completely blown!  This is a whole new level of counterpoint than I've ever imagined possible.  Now I shall have to wipe…"
May 21
H. S. Teoh replied to Kristofer Emerig's discussion Ah, what the hell.. more Fuguelectronica with Prolation Technique and Cheesy Rhythm Track, aka, Kontrapunktus Funktus et Krunktus
"I remember your fractal fugue, and that at the time, my reaction was one of skepticism. However, revisiting the subject (ha!) again now, I'm starting to get a glimpse of something awesome.  In the original thread, of course, you only used…"
May 19
H. S. Teoh replied to Mike Hewer's discussion 3 Preludes and...wait for it...FUGUES..wayhaay
"Well, this is all tongue-in-cheek, but I suppose it boils down to whether you consider yourself a connosieur of dissonance with refined and discerning tastebuds, or a bird incapable of hearing the difference. :-D As a connosieur of spicy foods, I…"
May 19
H. S. Teoh replied to Mike Hewer's discussion 3 Preludes and...wait for it...FUGUES..wayhaay
"Maybe it's like an acquired taste. Like how over time, I've built up an appreciation for spicy peppers such that what most people consider unpalatably hot, I consider rather mild, and what I consider hot they would consider to be…"
May 18
H. S. Teoh replied to Kristofer Emerig's discussion Ah, what the hell.. more Fuguelectronica with Prolation Technique and Cheesy Rhythm Track, aka, Kontrapunktus Funktus et Krunktus
"Maybe we should start a new fad on this forum -- say patriotism fugues, or just plain patriotic music.  Or start a long argument about the superiority of the US of A.  That should draw Bondi out of the woodwork if he/she/it is still here."
May 18
H. S. Teoh replied to Mike Hewer's discussion 3 Preludes and...wait for it...FUGUES..wayhaay
"The laugh is not in the music, but in the fact that I thought it was atonal."
May 18
H. S. Teoh replied to Kristofer Emerig's discussion Ah, what the hell.. more Fuguelectronica with Prolation Technique and Cheesy Rhythm Track, aka, Kontrapunktus Funktus et Krunktus
"@Dave: it sounds more like a secret level where the boss is a giant clown dancing out a fugue subject, and in order to defeat him (or escape certain death) you have to dance out the counterpoint to it. In a vast, underground, dimly-lit dance hall,…"
May 18
H. S. Teoh replied to Mike Hewer's discussion 3 Preludes and...wait for it...FUGUES..wayhaay
"@Mike: I'm not sure the recurring prelude structure is necessarily a weakness.  If done carefully, it could serve as a unifying factor across the entire set of 12 p/f pairs, perhaps?"
May 18
H. S. Teoh replied to Mike Hewer's discussion 3 Preludes and...wait for it...FUGUES..wayhaay
"@Dave: you'll laugh at me, but the first time I heard Sibelius' 4th symphony, I thought it was atonal."
May 18
H. S. Teoh replied to Mike Hewer's discussion 3 Preludes and...wait for it...FUGUES..wayhaay
"Listened to no.6 on C.  I like the prelude, fast and virtuosic, and full of energy.  I notice that your preludes tend to have more-or-less the same structure: theme > slight development > theme > longer development > climax…"
May 17
H. S. Teoh replied to Mike Hewer's discussion 3 Preludes and...wait for it...FUGUES..wayhaay
"Listened to no.5 on F.  The prelude is quiet, contemplative, and oddly tonal to my ears, or straying rather near tonality, quite to my surprise. Not that it's a bad thing or anything like that, but I was a bit surprised to hear something…"
May 17

Profile Information

What have you composed for? Or what medium do you work around?
Other
What is your favorite genre or style of music?
classical / art music / concert music
Is music your main income source?
No - Not at all.
Where do you live?
Canada
About Me (Must include biographical information about you as a composer):
I'm a professional software developer by day, and various things by night, including amateur composer. I've been interested in composition since my early teenage years many years ago -- Beethoven being my initial inspiration to pursue composition (specifically, the storm movement of his 6th symphony). My first attempts at composition date from 1990. Sadly, I never pursued music as a career, and ended up doing software instead. My time has also been very limited, and I have not composed as much as I would have liked to. I also lack formal music training, having picked up most of what I know from books, listening to classical music, and piano improvisation. Most of my pieces are written for piano, but my dream has always been to compose for an orchestra. So far, however, that has not yet materialized, though I do have at least two pieces (one skeletal, the other scored for computer but I feel the orchestration needs to be completely reworked) that I hope to flesh out and one day hear performed live.

Comment Wall (3 comments)

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At 12:06am on August 13, 2015, J Joe Townley said…

Hello H.S. and thank you for your very kind message. Actually, I'm just coming off a very serious eye condition triggered, I suppose by an equally serious upper and lower respiratory thing I picked up on a flight back from Berlin in May (I'm in Los Angeles). The eye required surgery to set things right and I'm just now getting my vision back in the one eye (the other was unaffected). Actually I've had problems with this eye in the past so I'm not surprised the respiratory condition reignited it. This is since May 3 when I got back and I'm just kicking the respiratory infection now. It's been a grueling---what--three months? I've never had anything like this before. Had to be some kind of exotic bug from the deepest parts of Asia or Africa or something because I usually bounce back from these things in 4-5-days. This took 3 different courses of antibiotics to finally get under control (coughing up blood and blowing blood out of my nostrils at one point, but no TB) and I was still coughing a month afterwards. Beware flying internationally. Nowadays you take your life into your hands getting exposed to all these potent diseases like Ebola floating around.

Greatly appreciate you letting me know you enjoy the concerto. You're right; I do get discouraged frequently because generally speaking most musicians aren't interested in doing an ultra-Romantic work these days, especially one that requires such large forces (expert pianist plus accomplished orchestra) to pull off properly. I did get word from someone who loves the concerto--psychologist and author Darrel Ray that he had a friend of his try to get it into the hands of David Stern, violinist Isaac Stern's son who is the conductor of the St. Louis Symphony Orchestra but I haven't heard anything since. This was about 6 weeks ago. Got my fingers crossed. Maybe someone can pull a miracle off. I hope so. Thanks so much for getting in touch. I will keep you apprised of any developments. Wishing you all the best and looking forward to any news you might want to share about your own career happenings. Take care,

J Joe Townley

At 1:44am on March 10, 2015, J Joe Townley said…

Hi H. S. and thank you for your very kind comments re My Piano Concerto No 2. Not sure if you were able to get to my bio. Thunbnail; started studying piano seriously at 10; wanted to write a piano concerto desperately by 16 but didn't actually do it until 18 when I wrote a horrid 1st mov. to a Piano Concerto in C Minor in 2-piano/4-hand. Injured my RH forefinger severely at 19-20 (don't remember) but continued with BA and injured finger until giving piano up at 25.

I agree. I'd love to hear this live. The screen-capture mutilated the audio. The SoundCloud audio is much better, but still sounds like an electronic rendering. To put on a performance of this concerto would cost roughly 150K for a top-tier orchestra/pianist so that's not in the offing anytime soon. My advice: don't write piano concertos if you're thinking of getting them performed. Stick with smaller works for small ensembles. Much greater chance of getting them performed live. I will check out your music tomorrow. Just getting this message really late (nearing midnight--yawn) So glad you enjoyed the concerto and noticing that it is cyclic. You're the first out of roughly 5000 viewers to comment on that (including earlier versions on YouTube which I have since deleted). J Joe

At 7:31pm on March 7, 2015, Tyler Hughes said…

Welcome to the Composers' Forum

H. S. Teoh's Blog

Did I really write all this crazy hard stuff?!

Posted on January 4, 2017 at 10:05pm 5 Comments

Today I finally got a chance to actually sit down at the piano (well, an electronic one, but still) and try to play my fugue in C# minor myself for the first time. And I was greatly dismayed to discover that I couldn't play it at all... What sounded relatively tame in midi turned out to be extremely difficult for me to play.  That's probably a sign of how lousy my non-existent piano skills are, or perhaps fugues are…

Continue

A nice tuba concerto

Posted on November 30, 2015 at 9:55pm 2 Comments

Recently I've been listening to many tuba concertos, to get an idea of the repertoire out there and what's possible on a tuba solo. Today I found this one, which, while it doesn't really feature any particularly unusual solo tricks or virtuoso stunts, is nevertheless a fun-filled romp with many beautifully scored passages:

Concerto for Tuba and Orchestra by Giancarlo Castro D'Addona

Just thought I'd share.

Trouble submitting new discussions

Posted on August 13, 2015 at 9:16pm 4 Comments

This blog entry is really more of a test than anything else... I'm having trouble submitting a new discussion to the analysis and critique section (it keeps ending up in the "we're sorry" page -- this is the 3rd try now), so this is just to see if blog entries will go through.

Some resources on compositional basics

Posted on May 9, 2015 at 10:30am 1 Comment

Here are some resources that I posted in the chatbox, but decided to collect them in a blog post so that they don't get lost easily:

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