Music Composers Unite!
Started this discussion. Last reply by Saul Dzorelashvili Apr 7. 10 Replies 0 Likes
Started this discussion. Last reply by Saul Dzorelashvili Mar 2. 3 Replies 0 Likes
Started this discussion. Last reply by Fredrick zinos Dec 15, 2012. 4 Replies 0 Likes
Posted on March 2, 2012 at 1:27pm 7 Comments 0 Likes
I see the term "classical music" used with varying intent so I thought I would ask what the term means, or what you think it means.
Is classial music that body of work written in Europe between 1750 and 1830? Is it music that is kept alive because of performing traditions? Does the meaning of "classical music" change with the location of the music? Are Japanese Gagaku and Persian Radif examples of classical music? By "classical" do we mean music that has an intent other than…
ContinuePosted on January 8, 2012 at 10:00pm 7 Comments 0 Likes
Alex Ross' "The Rest is Noise" Picador books $20.00. Amazing insights and connections with the "real world" and the world of music from 1900 to 2011. Something new on every page.
Posted on September 6, 2009 at 9:19pm 6 Comments 0 Likes
Posted on August 25, 2009 at 7:31pm 0 Comments 0 Likes
Janet Spangenberg said… Hey, Fredrick... I spent some time listening to your music today. I especially liked your "Scherzo 1882 for Wind Quintet", "American Songs", and "Statements for Clarinet and String Trio". Great stuff!
Diane Webster said… Thank you for your comment! I'm still getting used to using the VSTs on Cubase to achieve the sounds I want but it's getting easier with every composition :-)
Doug Lauber said… fredrick- I just got home at 11 PM, checking the internet...wow! Thanks for the support, I appreciate it. I'm trying to do the best I can with help from my friends ...and just maybe the album will reach a high standard, provide some good entertainment. Thanks again for the encouragement- It means a lot coming from you.
Fernando Vazquez said… Thank you Frederick for your comments on my Variations..I sincerely appreciate your input....I will eventually get to the impressionistic period...but I must make a stop first on the romantics.....thanks for listening....
James Gall said…
August Champlin said… Thanks for your comments on Cor Agitur! You're absolutely right. I need to develop this brief exercise into a fully fleshed-out piece with a contrasting theme. It's really not far out at all, by modern standards. Nonetheless, except even doing this much pushed me way beyond what I thought I would ever do. Still, I'm glad you thought it held together. Unity and coherence are important ideals for me, even in "experimental" music.
August Champlin said… It's interesting that you should write, "I only wish I had your skill and talent," to me, because I wish I had your adventurous way with harmony. I am glad that there is a Fredrick Zinos lending his voice to the musical arts.
August Champlin said… Despite the self-disparagement in your profile with regard to your talent, I think you write with an interesting voice. Your music is harmonically adventurous, fluent, and structurally sound. Well done!
Paulo cesar Maia de Aguiar (Br) said… Wonderful Works
Sylvester Wager said… Three Easy Pieces, currently the first track:
Here, I thought I began to hear harmonic limitations, and was going to suggest that you steal copiously from jazz (four and five, even six note chords). But now we are moving along into the piece, and I see that you have a wide range of harmonies available to you.
You're bluffing. You know more than you let on. You understand balance, form, texture, voice-leading. Your harmonies are not tradtional, not exactly, but as we all know, strictly traditional harmonies are verboten in 2012.
Now I am into your orchestral work, track 2: you put a lot of work into it, and it's better than a lot of stuff I hear routinely on these sorts of websites. It has a real easy program to follow, which is completely intentional. I'm still not sure, and I think it's funny that I'm not sure how much you really understand harmony. I think you have a fantastic ear, which beats pedantry any day.
Further along in that same orchestral work, I am a little lost in the extended development, in the sense that you might have lost the sense of balance. (who hasn't?) But maybe not: as you say, critics are wrong (almost) every time.
I'm waiting for the finish: it happened fast. You have a trove of great ideas in that Essay.
...By the way, no one has it right about Pope Greg VI. He ordered people around of course, and tried to get the Mass, the liturgy sorted out by delegating. Those chants took a long time to coalesce into "Gregorian-mix" - and as usual, those in power took advantage of the situation. Chants still exist, such as Milanese, Ambrosian, Syriac, Sarum, but they were officially drowned out by mandates - or became part of the East-West church-split debacle.
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