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Ehsan Saboohi
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  • Tehran
  • Iran
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Ehsan Saboohi's Discussions

Five Old songs ( Persian pop music)

Started this discussion. Last reply by Ehsan Saboohi Feb 15, 2010. 2 Replies

 

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Profile Information

What have you composed for? Or what medium do you work around?
Choir, Orchestra, Small Ensemble, Big Ensemble, Contemporary Ensembles, Other
What is your favorite genre or style of music?
Modern_Classic_Iranian music_World music
Is music your main income source?
Yes!
Where do you live?
Tehran
About Me (Must include at least one paragraph of biographical information about you as a composer) - blank or minimal answers on this line will cause your request to be rejected. Include a link to your website if you have one.
Ehsan Saboohi is an Iranian contemporary composer. He was born in 1981 in Tehran, Iran. He learnt the principles of Iranian Traditional Music since his childhood.
Saboohi started his music education in Sooreh School of Music of Tehran and graduated in 1993. Then, in 2005 he graduated from the Music Academy of Azad University of Arts and Architecture and later on, in 2009 got his master degree in Composition at Art University of Tehran.
His works include music pieces for solo piano, chamber works, large symphonic ensembles, string orchestra, wind orchestra and vocal works, and arrangement of Iranian folklore music scores.
his works have been commissioned and performed by soloists, ensembles and orchestras including Jasmin Cowin, Marina Toshich, Len Anderson, Roman Korobko, Nicolas Horvath, Hoshyar Khayyam, Maziar Zahireddini, Mehrdad Pakbaz, Ailin Arjmand, khayyám choir group and the Agrupacion Musical Ubetense.
Saboohi's first released solo album is "Piano Works" (Arqanoon Records, 2013).
In 2012, Ehsan Saboohi received the Diploma of Honor from Kharkov Conservatory, Ukraine.
He has been teaching principles of Composition and Harmony in University of Applied Science and Technology, and Tehran Conservatory since 2008.
Website:
www.ehsansaboohi.com/en_US/Pages/Home/

Ehsan Saboohi's Blog

SYMPHONY NO .1 , OP. 1

Posted on November 30, 2009 at 10:53pm 2 Comments

SYMPHONY NO,1 ,OP, 1.pdfHello All, I have uploaded SYMPHONY NO .1 , OP. 1 .Happy to get your opinion about the my Symphony . Grateful. Arranged for two Pianos by the composer. Submission for the degree of Master in composition.

FAREWELL SONATA FOR CLARINET SOLO

Posted on October 24, 2009 at 3:30pm 2 Comments

FAREWELL SONATA FOR CLARINET SOLO.pdf Listen to the audio file is available at the following address ::
http://www.free-scores.com/download-sheet-music.php?pdf=18512#

RHAPSODY IN JAZZ

Posted on August 30, 2009 at 2:00pm 0 Comments

RHAPSODY IN JAZZ.pdf RHAPSODY IN JAZZ for Alto saxophone in Eb,Tenor saxophone in Bb,Trumpet in Bb, 2Horns in F,Trombone. ( 3 Percussionest ; as following) Bass Drum .Tenor Drum Cymbals.Tambourine Snare drum Happy to get your opinion about the my piece .

Metamorphosis on theme of Paganini (for Piano)

Posted on August 22, 2009 at 9:20am 3 Comments

Metamorphosis on theme of Paganini (for piano).pdf Caprice No. 24 in A minor is the final caprice of Niccolò Paganini's 24 Caprices, and a famous work for solo violin. The work, in the key of A minor, consists of a theme, 11 variations, and a finale. The caprice has provided a rich seam of material for works by subsequent composers. Compositions based on it, and transcriptions of it, include: Boris… Continue

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Comment Wall (3 comments)

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At 7:25am on January 2, 2010, Ario said…
Bravo!
At 10:36pm on August 24, 2009, Daniel Calvo Rodrigues said…
Thanks so much!

Really liked your metamorphosis videos :)
At 9:26am on August 23, 2009, Peter Dewar-Finch said…
You asked me for an appraisal of your Metamorphosis on a theme of Paganini. Please find it below.

A well laid out set of Classical variations, the free-form style of the music notwithstanding as they achieve a nicely balanced set. I found the piece requires quite some learning in order to play it, but I’m sure that with practice it is an eminently playable piece. I belatedly discovered that you made an mp3 file of your performance, as a result of which I have become happily familiar with the piece. I could dissertate on the individual variations but as such dissertation would only represent my opinion and offer no objective conclusion of use to you I shall desist. I am sure that in the future this “Metamorphosis on a theme of Paganini” could become a popular part of Concert pianists repertoires.
 
 
 

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