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Charles Coleman
  • Male
  • New York, NY
  • United States
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  • 1.
    "Effluence" for Solo Piano
  • 2.
    "Carmilla" for Sting Orchesra
  • 3.
    That time of year
  • 4.
  • 5.
    Lay Bare the Heart (2009)
  • 6.
    Downtown Milonga
  • 7.
    Streetscape (ending)
  • 8.
    Inovation J.S.
  • 9.
    The Lime Factory (2003)
  • 10.
    Deep Woods (excerpt)
  • 11.
    In memoriam

Charles Coleman's Discussions

Lay Bare the Heart

Started this discussion. Last reply by Charles Coleman Jun 22, 2012. 2 Replies

Written for Solo Piano, performed by Kathleen Supové.This work was written in honor of the great American Civil Rights leader James Farmer.Among other things, the piece makes subtle use of the civil…Continue

The Lime Factory

Started this discussion. Last reply by Charles Coleman Jun 22, 2012. 2 Replies

This  5 - 6 minute work is for Full Orchestra.It's a musical depiction of a photograph taken by photographer Patricia Bazelon depicting an old abandoned steel making factory taken at dawn.  At this…Continue

Innovation J.S.

Started this discussion. Last reply by Charles Coleman Jun 28, 2012. 8 Replies

OK.  Here's my piece for Chamber Orchestra written in 2008.It was written for a concert devoted to the music of JS Bach.  Although this is an original piece of mine, there are subtle references to…Continue


Charles Coleman's page

Profile Information

What have you composed for? Or what medium do you work around?
Orchestra, Small Ensemble, Big Ensemble, Songs, Contemporary Ensembles, Other
What is your favorite genre or style of music?
‘If it sounds good, it is good.” - Duke Ellington
Is music your main income source?
Where do you live?
New York
About Me (Must include at least one paragraph of biographical information about you as a composer) - blank or minimal answers on this line will cause your request to be rejected. Include a link to your website if you have one.
Charles Coleman fell in love with grand opera at the age of 9. In 1980 he joined the Metropolitan Opera’s children’s chorus singing all of the traditional children’s roles at the Met and the New York City Opera for the next four years including Feodor in Boris Godunov with the late basso Martti Talvela.

After a brief apprenticeship in musical composition at the Turtle Bay Music School he entered the Manhattan School of Music where he earned his Masters Degree studying with composers David Noon and Eric Lundborg. At Manhattan he met Kristjan Järvi with whom, he and Gene Pritsker, founded The Absolute Ensemble. Coleman was named Composer-in-Residence of the Ensemble in 1997. The Absolute Ensemble has come to symbolize a special blend of modern classical music; a synthesis of jazz, rock and traditional music, probably best expressed in Charles Coleman’s Absolution, written in 1999 and recorded on ENJA NOVA, a CD that was nominated for the “Best Small Ensemble Performance” Grammy in 2002.

As of this writing Charles Coleman has written more than 80 compositions starting with Five Songs of Mother Goose (1993) for Soprano and Piano which was published by Vanguard Music in 1993. Young Words for Chamber Ensemble was commissioned in 1995 by Litchfield Performing Arts of Connecticut and was choreographed and performed by the Pilobolus Dance Company. Elegy (1995) for String Orchestra , Westside Nocturne (1997) for Solo Piano , Tracks (1998) for
Chamber Ensemble and Pastorale (1999) for Flute, Cello and Guitar (1999) followed, and his first Violin Concerto, Monologue Blue had its world premiere in Tallinn, Estonia in August of 1998.

After his funky Rut Strut for Chamber Ensemble was performed in the New York Public Theatre’s Joe’s Pub in 2000, Coleman received a commission to write a major symphonic work celebrating the opening of The Cincinnati Symphony
Orchestra’s 2001-2002 season with its new Music Director, Paavo Järvi. Streetscape for Full Orchestra – a furious walk through the streets of Coleman’s native Manhattan, was first performed on September 14, 2001 in Cincinnati, three days after the destruction of the World Trade Center. Streetscape has since been performed several times by various groups such as the San Francisco Symphony and the Riga Festival Orchestra in Latvia.

Many commissions followed including Pavement (2002) with the Dogs of Desire chamber orchestra conducted by David Alan Miller. Latarnia (2005) for Bassoon and Orchestra performed by The Riga Chamber Players under Normunds Sne.
And Red Oak Dawn (2006) premiered by New Jersey Symphony under the baton of Neeme Järvi.

In early 2007, Coleman spent five weeks as the resident composer of the Cincinnati Symphony teaching, composing and lecturing as part of "Music Alive," a program that partners the "Meet the Composer" Foundation with the
American Symphony Orchestra League. The main event of this residency featured the Cincinnati Symphony commissioned world premiere of his Deep Woods, performed on Thursday, May 3, 2007 at the CSO Music Hall conducted by Paavo Järvi. Coleman returned to New York the following week to premiere his new chamber opera, Redemption, commissioned by Golden Fleece Ltd.

In his short career, Coleman’s work as a composer, orchestrator and producer has appeared on many CDs, notably “Absolute Mix” (CCn’C 00702) which won the German Record Critics Award in the year 2000. He has served as the
producer of four CDs.

Finally, he works from time to time as a professional baritone, having championed the music of Gene Pritsker, Luis Andre Cobo and Elias Tannenbaum among many others. Coleman is a regular vocalist with Golden Fleece Ltd.

Charles Coleman's Blog

An artist's vent

Posted on March 29, 2011 at 7:30pm 2 Comments

Every now and then, when someone I meet hears that I'm a composer who writes for the concert hall (not just because I like it, but it's the work I get mostly), I am often asked if I would ever consider writing more "accessible" music, ala pop, commercial, main stream, etc. Usually I get very annoyed when I hear that. Mainly because it's already assumed that I write esoteric music that is liked only by a small intellectual…

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Comment Wall (6 comments)

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At 12:48pm on July 17, 2012, Adrian Allan said…

well done, friend

At 4:29am on July 17, 2012, Jamie Sutherland said…

Congratulations on your win Charles! 

At 6:18pm on July 15, 2012, Adrian Allan said…

thanks, my friend. I think yours may have more than a chance of winning the other categories. Look forward to any feedback/ comments on this competition.

At 2:18pm on June 22, 2012, Michael T said…

Well Charles, having been listening to the music on your page I am honoured indeed that you liked my little ditty. Your music is great and some of the most enjoyable listening I've done for a while!

At 12:09pm on October 25, 2010, Jeremy David Hiebert said…
Welcome fellow composer!
At 11:35am on October 18, 2010, Roberto Soggetti said…
very happy you joined, Charles! Excellent music! My kind

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