Composers' Forum

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Chris Merritt will do section 1 and end in G major at 140 bpm

The sections will be pieced together IN THIS ORDER LISTED BELOW. Pick 2 adjacent chords and make one the beginning and the next the ending. Remember: These chords and tempos do not have to define your section, you just have to use them and the proper tempo up front and at the end for the transitions.

Pick your two and reply below with your choice. So no one else does the same section. We are calling "sections" of this one piece "tracks."

You will notice that some tracks are underlined and are links - this means the composer has completed them and the link is to the mp3, so you can hear it. The underlined composers' names are links to their pages here on the Composer' Forum.

When we have a few consecutive tracks submitted, we will make a master audio file with them crossfaded in tempo and post it, so you can hear! Then as more are added, we will add them to the master file, slowly building the World's Longest Through Composed Piece!

Track 1- Chris Merritt
G 140
Track 2 - Mike Torr
D 80
Track 3 Albert De La Vega
A 130
Track 4 Alimar
E 90
Track 5 Thomas Hay
B 120
Track 6 John Elliott
F# 100
Track 7 Eric Fretheim
C# 110
Track 8 Kristofer Emerig
Ab 110
Track 9 (Chris Alpiar)
Eb 100
Track 10 Bart Delissen
Bb 120
Track 11 Jochen Lehnert
F 90
Track 12 Ben Lunn
Cm 130
Track 13 Simon Godden
Gm 80
Track14 Edward Schaffer
Dm 140
Track 15 Caroline Moore
Am 90
Track 16 (Richard Bleckinsop)
Em 130
Track 17
Bm 100
Track 18
F#m 120
Track 19
C#m 110
Track 20
Abm 110
Track 21
Ebm 100
Track 22
Bbm 120
Track 23 Ray Kemp
Fm 90
Track 24
C 130
Track 25 Asevenc
G 80
Track 26
D 140
Track 27
A 90
Track 28
E 130
Track 29
B 100
Track 30 Rudolf Schmitt
F# 120
Track 31
C# 110
Track 32
Ab 110
Track 33
Eb 120
Track 34
Bb 100
Track 35
F 130
Track 36
Cm 90
Track 37
Gm 140
Track 38
Dm 80
Track 39
Am 130
Track 40 Joshua John Fanene
Em 90

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Hi Dankk! There will never be enough people. That's the point! For it to go on forever. So you can join in whenever you want.

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then call me "in".. but it will have to be kinda specific.. if you have listened to my music (or know what i dont know), you would understand.

I cant just pick a spot, i would kinda have to listen and then say... "sure ill start here." unless i can do take backs, and then be the butthead that holds everyone up for a few days.

In addition, if I do somehow "come into" the middle of an otherwise highly produced part, would it be acceptable to just send you what I have written and have you use your 'equipment" and libs on whatever i wrote? I would have no problem with that if you wouldn't.

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I've done my movement :D track 12 is finished its for didjeridoo and its on my profile

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Great! Can you upload or send me an mp3? I'll link to it in the section chart.

Ben lunn said:
I've done my movement :D track 12 is finished its for didjeridoo and its on my profile

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Hey Chris, Is there a time or deadline to turn in the track? If nothing too immediate, sign me up for Track # 3, if it is still available.

Thanks

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I just signed you up for track 3 - no deadline, but the sooner the better!

Albert De La Vega said:
Hey Chris, Is there a time or deadline to turn in the track? If nothing too immediate, sign me up for Track # 3, if it is still available.

Thanks

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Mine is still only about 20% done. I apologize, folks! I will get onto it soon.

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I'm catching up to you Mike!! I have about a minute and a half and an idea for the end. I have never written with tempo, key and timeline already specified so it is very interesting for me.


Mike Torr said:
Mine is still only about 20% done. I apologize, folks! I will get onto it soon.

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I'll volunteer for track 5, Chris.

Should I wait until Louis is done her section?

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No need to wait! I plugged you in. You know the key and tempo your coming from, so go ahead!

Thomas Hay said:
I'll volunteer for track 5, Chris.

Should I wait until Louis is done her section?

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I'll take [B 120] Track 6 [F# 100].

--John Elliott
Albany, Oregon

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You're in, John!

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