Music Composers Unite!
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Permalink Reply by Chris Alpiar on June 19, 2007 at 3:56pm
Permalink Reply by Chris Merritt on June 19, 2007 at 4:03pm
Permalink Reply by Chris Alpiar on June 19, 2007 at 5:47pm
Permalink Reply by Chris Merritt on June 19, 2007 at 6:34pm
Permalink Reply by Doug Lauber on March 18, 2009 at 3:36pm
Permalink Reply by Ondib Olmnilnlolm on July 22, 2012 at 1:45pm ". . . By "holding a chord" I mean that for the last part of your section, I could analyze it with traditional harmony as I (tonic, 1, home chord, etc.) . . ."
Maybe that could be explained in a little more detail. I take it to mean something a bit broader than what some people appear to be inferring.
"I could analyze it with traditional harmony."
That leaves quite a bit of leeway, I think.
(And did anyone say whether this would be in equal or fixed temperament?)
Permalink Reply by Doug Lauber on July 22, 2012 at 7:28pm By 'holding' a chord, are you saying the chord should extend into the following section? Rather than setting that up as a formal rule, I say work it out with the preceding composer. Communicate privately with that preceding composer about the direction of his or her last measure. Again, there are no key assignments for a particular section.
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