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Inspired by Mike Hewer's's string bowing post, I thought I'd post this gem I found a few days ago (when following up on harp advice he'd given me, in fact). I've included harp in almost every piece I've written in the last 14 months and still get it wrong - there's a wealth of information here from range, techniques, physical restrictions etc.

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That's a cool site Dave. I used the thunder gliss in the score for my clarinet concerto.

It reminded me of a few things I'd forgotten about.....

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