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As always, when composing for an unfamiliar instrument it is best to meet with a performer to go over notation and technical abilities, though I have come across an informative resource for flute techniques:

https://www.flutecolors.com/

If you have found other sites/books explaining extended techniques within the woodwind family, please share them below!

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There's a site for clarinet multiphonics as well: http://clarinet-multiphonics.org

And I agree that going over things with a performer is important, since techniques like multiphonics (and multiphonics in particular) can be really finicky and vary a lot from instrument to instrument, as well as player to player!

Great! Thank you for sharing. I am actually currently writing for flute and clarinet, so resources like this are very helpful. I met with a flutist this morning to go over my score and make sure everything looked good so far. Very informative!

Lara Poe said:

There's a site for clarinet multiphonics as well: http://clarinet-multiphonics.org

And I agree that going over things with a performer is important, since techniques like multiphonics (and multiphonics in particular) can be really finicky and vary a lot from instrument to instrument, as well as player to player!

For books, I would recommend the following: 
Pierre-Yves Artaud's books for flute

Harry Spaarnay's book on bass clarinet

Philip Rehfeldt's book on clarinet

Giorgio Netti/Marcus Weiss' book for saxophone

Jamie Leigh Sampson's book for bassoon

I will post the same disclaimer I made above involving special techniques like quarter tones and multiphonics: not all players can do them, and for those who can, these techniques can vary from instrument to instrument, and player to player.  In any case, I'd check with a player– even if you don't have access to one, message someone on youtube or through someone's website.  

Also for clarinet: https://heatherroche.net

Lara Poe said:

There's a site for clarinet multiphonics as well: http://clarinet-multiphonics.org

And I agree that going over things with a performer is important, since techniques like multiphonics (and multiphonics in particular) can be really finicky and vary a lot from instrument to instrument, as well as player to player!

Yes!  And she has a really nice resource for soft dyads that I've used as well...

John Driscoll said:

Also for clarinet: https://heatherroche.net

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